Bernadette Lafont
1938 - 2013
Pourquoi partir?
Bastien Duval, Bernadette Lafont
Bernadette Lafont, Marie Guillard
Pierre and Maryel have the same mother but have never met even though they have been writing to each other for fifteen years. One day, Pierre decides to see his sister and goes to Saint-André where she lives. The local youths don't exactly appreciate his presence.
Pourquoi partir?
The Mother and the Whore
Jean Eustache
Bernadette Lafont, Jean-Pierre Léaud
Aimless young Alexandre juggles his relationships with his girlfriend, Marie, and a casual lover named Veronika. Marie becomes increasingly jealous of Alexandre's fling with Veronika and as the trio continues their unsustainable affair, the emotional stakes get higher, leading to conflict and unhappiness.
The Mother and the Whore
Out 1: Spectre
Jacques Rivette
Juliet Berto, Jean-Pierre Léaud
Out 1: Spectre begins as nothing more than scenes from Parisian life; only as time goes by do we realize that there is a plot—perhaps playful, perhaps sinister—that implicates not just the thirteen characters, but maybe everyone, everywhere. Real life may be nothing but an enormous yarn someone somewhere is spinning...
Out 1: Spectre
Les diablesses
Harry Cleven
Anna Mihalcea, SoKo
France in the fifties. The teenage orphan Sylvie is put in an institution for "fallen" or endangered girls, subjected to harsh treatment by the bigoted nuns who run the institution like a prison. Sylvie befriends a girl who wants to escape.
Unloved
The Sleeping Car Murder
Costa-Gavras
Jacques Perrin, Catherine Allégret
Six people travel by train overnight from Marseilles to Paris. When the train arrives at its destination, one of the passengers, a girl, is found dead in a sleeping berth. The police led by Inspector Grazzi investigate the other five passengers, suspecting that one of them was responsible. However, as the investigation is stepped up, the other passengers start turning up dead. It is then up to the last remaining two to solve the case, before they become the next victims.
The Sleeping Car Murder
It Means That Much to Me
Pierre Grimblat
Eddie Constantine, Bernadette Lafont
Eddie Constantine stars as a reporter mixed up in the spy world in this routine espionage actioner by first-time director Pierre Grasset. After taking some illicit photos for a new story he is working on, Eddie (Constantine) is coerced into doing a job for the French Secret Service. There is a mole in the French missile sites who is passing on classified information, and Eddie is enlisted as bait to draw the culprit -- or culprits -- out. Along the way, he finds himself running for his life, fighting, and romancing until the final denouement.
It Means That Much to Me
Nous sommes tous encore ici
Anne-Marie Miéville
Aurore Clément, Bernadette Lafont
Two housewives discuss philosophical themes (actually an updated dialogue between Plato and Socrates) while doing the house work. The husband of one of them rehearses his part in a theatrical play, reading a 20th century philosophical text about totalitarianism.
We're All Still Here
Le Beau Serge
Claude Chabrol
Gérard Blain, Jean-Claude Brialy
François returns to his village after a long absence. He finds his friend Serge who has married Yvonne, and has developed an alcohol problem after the death of their stillborn child. Serge has become an angry, bitter figure not unlike the roles of James Dean, refusing to face reality and adulthood and François must help him.
Le Beau Serge
Violette Nozière
Claude Chabrol
Isabelle Huppert, Stéphane Audran
Paris, 1933. The daughter of a respectable lower middle class couple, Violette Nozière, leads a disreputable double life. Far from being the innocent 18-year-old her parents mistake her for, she spends her nights with dissolute young men in the less salubrious areas of the city.
Violette Nozière
Attila Marcel
Sylvain Chomet
Guillaume Gouix, Anne Le Ny
Paul is a sweet man-child, raised — and smothered — by his two eccentric aunts in Paris since the death of his parents when he was a toddler. Now thirty-three, he still does not speak. Paul's aunts have only one dream for him: to win piano competitions. Although Paul practices dutifully, he remains unfulfilled until he submits to the interventions of his upstairs neighbour. Suitably named after the novelist, Madame Proust offers Paul a concoction that unlocks repressed memories from his childhood and awakens the most delightful of fantasies.
Attila Marcel
Les Mistons
François Truffaut
Gérard Blain, Bernadette Lafont
A group of young boys have a collective crush on Bernadette. As a result of this, they have an unreasoning jealousy of Gérard, and do everything they can to disrupt their relationship. When Gérard catches one of the young boys spying on them, he thrashes him severely. In retaliation, the children try to inspire Bernadette to doubt Gérard’s love.
The Mischief Makers
Bal de nuit
Maurice Cloche
Pascale Audret, Claude Titre
Martine is a young woman plagued both by poverty and by uncaring, problem parents who in no way can provide the kind of nurturing that Martine needs during her adolescent years. As a result of her family situation, Martine runs away from home and gets involved with a group of teens and young adults from the wrong side of the moral tracks.
Night Dance Hall
