
Maja Komorowska
1937 (88 лет)Dekalog, jeden
Krzysztof Kieślowski
Henryk Baranowski, Wojciech Klata
Krzysztof, a semantics professor and computer hobbyist, is raising his young son, Paweł, to look to science for answers, while Irena, Paweł’s aunt, lives a life rooted in faith. Over the course of one day, both adults are forced to question their belief systems.
Decalogue I
Wege in der Nacht
Krzysztof Zanussi
Mathieu Carrière, Maja Komorowska
Friedrich is a wealthy, handsome German soldier fighting in World War II. His unit is stationed in Poland and occupies the estate of Countess Elzbieta. Forced to remain in her presence, Friedrich begins to pursue Elzbieta out of boredom.
Ways in the Night
Young Girls of Wilko
Andrzej Wajda
Daniel Olbrychski, Anna Seniuk
Set in the late '20s. A thirtyish young man, who heads a small factory, faints at the funeral of a close friend. He decides to go home to his aunt and uncle for a while, but gets involved with a family of five women who had been in love with him at one time though he had apparently loved only one, who, unknown to him, has died since his departure. The women are mainly disillusioned with life or estranged from husbands while the youngest has a crush on him.
Young Girls of Wilko
Man of Iron
Andrzej Wajda
Jerzy Radziwiłowicz, Krystyna Janda
In Warsaw in 1980, the Communist Party sends Winkel, a weak, alcoholic TV hack, to Gdansk to dig up dirt on the shipyard strikers, particularly on Maciek Tomczyk, an articulate worker whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.
Man of Iron
Rok spokojnego slonca
Krzysztof Zanussi
Maja Komorowska, Scott Wilson
Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in love. Eventually he will return to the U.S. and both expect that she will soon follow him with her mother. Emilia's mother is sick, but will recover with the right medicine. But the mother, and not Emilia, knows that there will only be one ticket...
A Year of the Quiet Sun
Katyn
Andrzej Wajda
Andrzej Chyra, Maja Ostaszewska
On September 1st, 1939, Nazi Germany invades Poland, unleashing World War II. On September 17th, the Soviet Red Army crosses the border. The Polish army, unable to fight on two fronts, is defeated. Thousands of Polish men, both military and government officials, are captured by the invaders. Their fate will only be known several years later.
Katyn
Za ścianą
Krzysztof Zanussi
Zbigniew Zapasiewicz, Maja Komorowska
Jan is a young assistant professor in chemistry and a workaholic, Anna is an unsuccessful science writer who turns to Jan for advice and human compassion, but Jan, absorbed with his career, remains immune to Anna's clumsy efforts to pierce his defenses.
Behind the Wall
The Wedding
Andrzej Wajda
Marek Walczewski, Izabela Olszewska
Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.
The Wedding
Zycie rodzinne
Krzysztof Zanussi
Daniel Olbrychski, Jan Kreczmar
This intense chamber drama centers on an ambitious young industrial designer who is summoned home to help his father and sister. Both the aristocratic family he fled in shame and scorn, and their dilapidated country estate, bathed in an oppressively nostalgic light, prove ultimately inescapable.
Family Life
Bilans kwartalny
Krzysztof Zanussi
Maja Komorowska, Piotr Fronczewski
The main character is a bookkeeper, 40, who lives a quiet, uninteresting life with her husband and son of school age. She realizes that soon she won't be needed much at home as the boy grows up and the relationship with her husband crumbles. It's only when an embezzlement is discovered at the office and she stands up to her management, that she realizes life has more to offer. She meets a well-off former classmate, married to an American. Then she meets Jacek and starts contemplating possibilities of a new start. She discovers love for the first time, but turns to old ways rather than to break loose.
A Woman's Decision
Kontrakt
Krzysztof Zanussi
Maja Komorowska, Tadeusz Łomnicki
Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.
The Contract
Lawa. Opowieść o "Dziadach" Adama Mickiewicza
Tadeusz Konwicki
Gustaw Holoubek, Jolanta Piętek-Górecka
In the eve of the Day of the Dead, among mysterious old rituals of the Vilnius region, ghosts of the past and present start to appear.
A Tale of Adam Mickiewicz's 'Forefathers' Eve'
Spirala
Krzysztof Zanussi
Maja Komorowska, Jan Nowicki
In what appears to be an inexplicable incident, a man drives up to a resort hotel in midwinter, throws away his car keys, enters, and proceeds to agitate everyone he meets with his urgency -- a message he is somehow unable to communicate. Then he leaves, disappearing in the snow. Later, the people he appeared to have upset have gathered to search for him and find him frostbitten, but alive. Visiting him at the sanatorium to which he has been taken, they gradually discover what was really happening.
The Spiral