Dace Pūce

Annija

Dace Pūce

Annia (28) lives in Riga and always is in a process and finding her own way, expressing herself in multiple roles. She works as a show manager at The New Riga Theatre, but later she needs to find out how to be unemployed. She teaches tap dance in her own studio, and a great part of her life is to be Dr. Clown in Children's clinical hospital.

Bedre

Dace Pūce

Aigars Vilims, Damirs Onackis

Markuss must adapt to a new life living with his granny in the countryside. After Emīlija – a neighbor’s daughter – throws some contemptuous remarks about the boy’s father, Markuss decides to teach her a cruel lesson. This has severely negative consequences which resonate throughout the village. Forced to work the boy begins to harbor hatred towards the others in the village. The only person the boy can relate to is an old Sailor living in the nearby woods. They inspire one another and keep each other’s secrets. It is only through an accidental turn of events that Emīlija’s mother’s intended sanctions against Markuss and the boy’s reputation in the eyes of the inhabitants of the village radically change.

Tango

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Baiba Broka, Reinis Boters

Helen suspects that her beloved son has a girlfriend what he is trying to hide. She is terrified of the possibility that her son could leave her for his girlfriend. Dainis invites her to a party in the hope that they both will be able to become friends, but due to missunderstanding a disaster strikes.

Mēness nogurdinātais

Dace Pūce

Gifted artist Raul has been stuck in a wheelchair for 15 years due to his life choices and his paintings have been the only way to express his feelings and desperation.

Manny

Dace Pūce

Sonal Sehgal, Jurijs Djakonovs

Journey of a woman on a writer's retreat, struggling with her identity as a closet homosexual. Her life unfolds through three love interests, one real, one a figment of her imagination and the third virtual - man, woman and AI.

Sitiens

Dace Pūce

Rihards Lepers, Ralfs Eilands

Kad tu uz mani skaties

Matīss Kaža

Jānis Ābele, Frederiks Sebastians Anosovs

A problem that every film director has faced – how do you film something that does not exist? A director is making a documentary about an actor and his stalker – but the stalker never appears. As the deadline approaches, unusual steps must be taken.