Ari Fliakos
2021Company K
Robert Clem
Ari Fliakos, Terry Serpico
Based on the popular World War I novel by author William March, director Robert Clem's COMPANY K follows a veteran of the first great conflict as he finishes a book about his wartime experiences and reflects on how a man's true character is revealed through his actions on the battlefield. From the German soldier who visits him in dreams to the camaraderie that is forged by fighting together and the true gravity of laying down your life for a greater cause, World War I veteran Joe Delaney will attempt to exorcise his demons through writing while struggling to readjust to small-town life following the trauma of war.
Company K
Brace Up!
Ken Kobland, Elizabeth LeCompte
Anna Köhler, Ari Fliakos
The Wooster Group's production of Anton Chekhov's Three Sisters, translated by Paul Schmidt and directed by Elizabeth LeCompte, with performances from Kate Valk, Peyton Smith, Scott Shepherd, Ari Fliakos, Anna Kohler, Beatrice Roth, Ron Vawter, and Willem Dafoe. This presentation of the 2003 production of BRACE UP!, designed by Ken Kobland and LeCompte, incorporates close-up recordings of the performers simultaneously with continuous wide-angle footage.
Brace Up!
Hamlet
Elizabeth LeCompte
Скотт Шепард, Ari Fliakos
In The Wooster Group’s HAMLET, Shakespeare’s classic tragedy is re-imagined by mixing and repurposing Richard Burton’s 1964 Broadway production, directed by John Gielgud. The Burton production was recorded in live performance from 17 camera angles and edited into a film that was shown as a special event for only two days in nearly 1,000 movie houses across the U.S. The idea of bringing a live theater experience to thousands of simultaneous viewers in different cities was trumpeted as a new form called “Theatrofilm,” made possible through “the miracle of Electronovision.” The Wooster Group attempts to reverse the process, reconstructing a hypothetical theater piece from the fragmentary evidence of the edited film. We channel the ghost of the legendary 1964 performance, descending into a kind of madness, intentionally replacing our own spirit with the spirit of another.
Hamlet
