Dietmar Kracht
1941 - 1976Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt
Rosa von Praunheim
Berryt Bohlen, Bernd Feuerhelm
Daniel, a young man from the provinces come to the city and moves from one gay subculture to the next. His adventures begin on the streets of Berlin, where the shy brunette Daniel meets the blonde Clemens, who invites him home for coffee and offers him a place to stay. Soon Daniel is living with Clemens and believes he has found the love of his life. The two try to imitate a bourgeois marriage and its lifestyle. But after four months of tedium, Daniel is cruised by a rich older man who entices him to move into his villa, where he encounters a group of older gays, pretentious in their appreciations of fine art and classical music, who fawn over him.
It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives
1 Berlin-Harlem
Lothar Lambert, Wolfram Zobus
Ortrud Beginnen, Ingrid Caven
An African-American GI retires from the US Army in West Berlin to live with his (white) girlfriend, who already has a baby with another black man. After an argument with her family, she deserts him as well. Despite finding a job and a new place to live, he keeps running into racism, which also manifests itself in sexual intimidation.
1 Berlin-Harlem
Berliner Bettwurst
Rosa von Praunheim
Luzi Kryn, Dietmar Kracht
In this sequel to Die Bettwurst, Dietmar and Luzi are a somewhat unorthodox couple, who live and fight with tremendous enthusiasm. The unusual nature of their liaison is signalled by the fact that Dietmar is bisexual and is completely unable to remain faithful to Luzi. Dietmar also has his own, personal dialect of German. Luzi, on the other hand, is coziness personified. No matter, in this film they get married at the Memorial Church in Berlin. Infuriated at his playing around, Luzi briefly splits up with him, but when her dog dies of poisoning, he is there to comfort her.
Berliner Bettwurst
