Ģirts Liuziniks
2021Logs
Una Rozenbauma
Anete Saulīte, Ģirts Liuziniks
Mr. Schmidt, a young man who is recovering from a recent nervous breakdown, arrives at a country manor. As he waits for the governess Mrs. Rosenbaum, Schmidt is scared by the gardener but then meets a bored, young woman, Vera, who kindly accompanies him through the house. Vera tells Schmidt about a great tragedy. Precisely three years ago, members of her aunt’s family passed away, but the bodies were never found. Mrs. Rosenbaum does not believe in the death of her relatives and continues to wait for their return. Coming close to madness, Mr. Schmidt escapes from the mansion, and the missing family members return from an actual hunting expedition. As it turns out, Miss Vera makes up legends because of boredom.
Window
The Wounded Rider
Ilona Brūvere
Imants Strads, Dārta Daneviča
In two monumental symbols of the national awareness sculptor Kārlis Zāle has immortalized his vision about the state of Latvia. Freedom Monument is the statement of the sculptor’s love for his native country. Kārlis Zāle with his characteristic monumental touch sees life in large and powerful lines; the same way he perceives also sculpture that requires much vital force and daring. The full-length documentary “The Wounded Rider” is based on facts from the life of the sculptor Kārlis Zāle and documents on the construction of the Freedom Monument, providing insight in the political and social scene of the age and presenting outstanding figures in the culture and art together with the ideals of that time.
The Wounded Rider
