
John Boles
1895 - 1969John Boles (October 28, 1895 – February 27, 1969) was an American singer and actor best known for playing Victor Moritz in the 1931 film Frankenstein. He started out in Hollywood in silent movies, but became a huge star with the advent of talkies. After the war, Boles moved to New York to study music. He quickly became well known for his talents and was selected to replace the leading man in the 1923 Broadway musical Little Jesse James. He became an established star on Broadway and attracted the attention of Hollywood producers and actors.
Boles' Broadway credits include One Touch of Venus (1943), Kitty's Kisses (1925), Mercenary Mary (1924), and Little Jessie James (1923).
He was hired by MGM to appear in a silent film in 1924. He starred in two more films for that studio before returning to New York and the stage. In 1927, he returned to Hollywood to star in The Love of Sunya (1927) opposite Gloria Swanson, which was a big success for him. Unfortunately, because the movies were still silent he was unable to show off his singing ability until late in the decade. In 1929, Warner Brothers hired him to star in their lavish musical operetta The Desert Song (1929). This film featured sequences in Technicolor and was a box-office success. Soon after, Radio Pictures (later known as RKO) selected him to play the leading man in their extravagant production (the last portion of the film was photographed in Technicolor) of Rio Rita, opposite Bebe Daniels. Audiences were enthralled by his beautiful voice, and John Boles suddenly found himself in huge demand. RCA Victor even hired him to make phonograph records of songs that he had sung in his films.
As soon as Rio Rita was completed, Boles went back to Warner Brothers as the leading man in an even more extravagant musical entitled Song of the West (1930) that was filmed entirely in Technicolor. Shortly after this film, Universal Pictures offered John Boles a contract, which he accepted. He starred in a number of pictures for them, most notably the all-Technicolor musical revue entitled The King of Jazz (1930) and a historical operetta entitled Captain of the Guard (1930). In 1931, he starred in One Heavenly Night (1931), which would prove to be his last major musical.
Boles portrayed Victor Moritz in Frankenstein (1931). He starred with Irene Dunne in a 1934 film adaptation of Edith Wharton's 1920 novel The Age of Innocence directed for RKO Radio Pictures by Philip Moeller, and took the role of Edward Morgan in Curly Top (1935), starring Shirley Temple In 1937, Boles starred alongside Barbara Stanwyck in the King Vidor classic Stella Dallas. In 1943, he co-starred with Mary Martin and Kenny Baker in One Touch of Venus. Description above from the Wikipedia article John Boles, licensed under CC-BY-SA, full list of contributors on Wikipedia.
I Believed in You
Irving Cummings
Rosemary Ames, John Boles
an aspiring writer and her boyfriend, a professional agitator head off to the Big Apple in search of good fortune. Unfortunately, the agitator soon finds himself in trouble with the cops. Meanwhile the writer attempts to become a Greenwich Village Bohemian type. She and her new friends are all starving for their art until a kindly gent offers them financial assistant. They refuse on principle. Tragedy pays a call when the writer learns that her boyfriend has been untrue.
I Believed in You
Screen Snapshots (Series 16, No. 1)
Ralph Staub
Bette Davis, Jimmy Durante
Viewers are provided a visit to Ken Maynard's private circus; Bette Davis poses for her portrait; Frank McHugh plays with his children; a visit to the West Side Tennis Club affords glimpses of many stars.
Screen Snapshots (Series 16, No. 1)
We Americans
Edward Sloman
George Sidney, Patsy Ruth Miller
We Americans was based on the Broadway play of the same name. Returning to the "melting pot" themes that he handled so well, director Edward H. Sloman concentrates on the trials and tribulations of three first-generation American families: The Jewish Levines, the German Schmidts and the Italian Albertinis.
We Americans
Frankenstein
James Whale
Colin Clive, Mae Clarke
Dr. Henry Frankenstein attempts to create life by assembling a creature from body parts of the deceased. Aided by his loyal misshapen assistant, Fritz, Frankenstein succeeds in animating his monster, but, confused and traumatized, it escapes into the countryside and begins to wreak havoc. Frankenstein searches for the elusive being and eventually must confront his tormented creation.
Frankenstein
Seed
John M. Stahl
John Boles, Genevieve Tobin
Bart is a clerk for a publishing company; he has written a novel. His wife Peggy and he have five children. Bart's former girlfriend Mildred is manager of the company's Paris office. She manages to get the novel published and talks Bart into marrying her after he divorces Peggy. Initially successful, Bart must turn to writing trash to keep Mildred in money. When he sees how well his four sons and daughter Margaret have grown without his help, he asks Peggy to let them all come live with him and Mildred. Peggy agrees, but the arrival of his beloved children puts Mildred's future in jeopardy. Written by Ed Stephan
Seed
Only Yesterday
John M. Stahl
Margaret Sullavan, John Boles
On the back of the Wall Street Crash of 1929, a young business man is about to commit suicide. With the note to his wife scribbled down and a gun in his hand, he notices a thick envelope addressed to him at the desk. As he begin to read, we're taken back to the days of WW1 and his meeting with a young woman named Mary Lane.
Only Yesterday
Romance of the Underworld
Irving Cummings
Mary Astor, Ben Bard
When a gangster's speakeasy is raided by the police, one of the people picked up is the gangster's pretty young girlfriend. A kind-hearted cop takes pity on her and helps her get out of that life. While waitressing to earn money for college, she meets a wealthy and handsome young man and they fall in love--but he doesn't know about her somewhat shady past and her relationship with the gangster.
Romance of the Underworld
The Last Warning
Paul Leni
Laura La Plante, Montagu Love
A producer decides to reopen a theater, that had been closed five years previously when one of the actors was murdered during a performance, by staging a production of the same play with the remaining members of the original cast.
The Last Warning