Carlos Gregório
1947 (78 лет)A Volta do Filho Pródigo
Ipojuca Pontes
Jaime Barcellos, Dilma Lóes
Unemployed, penniless in the big city and after accidentally stealing and killing his landlady, Antonio flees Rio de Janeiro towards Northeast of Brazil to find his mother. On the way he meets a beautiful woman and a pair of criminals.
A Volta do Filho Pródigo
Tônica Dominante
Lina Chamie
Fernando Alves Pinto, Vera Zimmermann
Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf
Tônica Dominante
O País dos Tenentes
João Batista de Andrade
Paulo Autran, Carlos Gregório
With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.
O País dos Tenentes
Mauá - O Imperador e o Rei
Sérgio Rezende
Paulo Betti, Malu Mader
A movie about a Brazilian entrepreneur who rivalled American's richest man at his time, well-known Rockfeller. Irineu Evangelista de Souza in 1867 had $155.000 contos de reis, meanwhile the Brazilian Governement annual budget was 97.000 contos de reis. The movie shows his life from poverty to riches and back to poverty again, as is common in Brazil, rich people die poor.
Mauá - O Imperador e o Rei
Memórias do Medo
Alberto Graça
Xuxa Lopes, Cláudio Marzo
With Brasilia as a setting, the film tries to recreate the political environment in Brazil when civilians were able to found new political parties, after 10 years of strict military rules. In the midst of a nationwide crisis, a group of politicians found an opposition party to the military regime, triggering violent denunciation against multinationals operating in the country. The explorer of the Seesaw deposit, United Mining, an American multinational that is being accused of several irregularities, sees in the internal struggle that divides the opposition party its only chance to silence the nationalist campaign that denounces it. Thus, a game is developed that ends up leading the characters to a tragic plot of corruption and fear.
Memórias do Medo
A Maldição do Sanpaku
José Joffily
Patricia Pillar, Felipe Camargo
Gafanhoto is a smuggler who tries to take a hit by stealing a valuable stone. He awakens the fury of the old boss of the gang, and ends up involving in the plot a former colleague, Poeta and his girlfriend Cris, a beautiful woman who brings in the eyes the mark of the tragedy.
A Maldição do Sanpaku
Eternamente Pagu
Norma Bengell
Carla Camurati, Antônio Fagundes
Eternamente Pagu is a biographical film about Patrícia Galvão, best known as Pagu, a Brazilian political, literary and artistic activist. An important figure of the Brazilian Modernism, Pagu was also a militant for the Brazilian Communist Party after she married writer Oswald de Andrade. She broke up with Andrade and, as a journalist was arrested by the Dictatorship of Getúlio Vargas. After she left prison, she abandoned Communism in favor of Trotskyist Socialism, married Geraldo Ferraz, and started a career as theatre director.
Eternamente Pagu
O Rei da Vela
José Celso Martinez Corrêa, Noilton Nunes
Maria Alice Vergueiro, Renato Borghi
Filming of the historical montage of Oswald de Andrade's play, where decadent millionaires, depraved children, corrupt and implacable capitalists are the characters interpreted by the Grupo Oficina, in a celebrated theatrical performance from 1967, fundamentally recorded in 1971 and released only in the 1980s.
The King of the Candle
