
Manami Usamaru
2021COME & GO カム・アンド・ゴー
Kah Wai Lim
Lee Kang-Sheng, Manami Usamaru
Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.
Come and Go
シスターフッド
Takashi Nishihara
Manami Usamaru, Ryo Iwase
Sisterhood portrays a current reality in Japan, showing the vision and lives of different people, such as a nude model, a music artist, a student and other diverse individuals who give their opinions in front of the camera.
Sisterhood
Mitsu no Asa
Risa Negishi
Manami Usamaru, Ryoka Neya
Three factory workers in the countryside lead ordinary lives, marked by the melancholy of everyday life and by small, meaningful gestures. A slice-of-life film about the beauty and sadness in the most inconspicuous moments.
Three Mornings
Mu
Taichi Kimura
Jin Dogg, Manami Usamaru
An experimental art film shot in Tokyo, Japan, ‘Mu’ combines black and white footage with a bespoke poem written by poet Shuya Masuda (inspired in part by the poem ‘Nu’ written by Ryuichi Tamura, ‘Mu’ literally meaning nothing, zero, void) alongside visuals inspired by photographer Daido Moriyama and a textured performance interlude by Japanese rapper Jin Dogg. In its sum, this film creates the physical manifestation of the imagined characters director Taichi Kimura has written in his previous film ‘Lost Youth’ and in his feature currently in development, ‘Neon’.
Mu