Albert Lewin
1894 - 1968Albert Lewin (1894–1968) was an American film director, producer, and screenwriter.
He was born in Brooklyn, New York on September 23, 1894 and raised in Newark, New Jersey. He earned a Master's degree at Harvard and taught English at the University of Missouri. During World War I, he served in the military and was afterwards appointed assistant national director of the American Jewish Relief Committee. He later became a drama and film critic for the Jewish Tribune until the early 1920s, when he went to Hollywood to become a reader for Samuel Goldwyn. Later he worked as a script clerk for directors King Vidor and Victor Sjöström before becoming a screenwriter at MGM in 1924.
Lewin was appointed head of the studio's script department and by the late 20s was Irving Thalberg's personal assistant and closest associate. Nominally credited as an associate producer, he produced several of MGM's most important films of the 1930s. After Thalberg's death, he joined Paramount as a producer in 1937, where he remained until 1941. Notable producing credits during this period include True Confession (1937), Spawn of the North (1938), Zaza (1939) and So Ends Our Night (1941).
In 1942, Lewin began to direct. He made six films, writing all of them and producing several himself. As a director and writer, he showed literary and cultural aspirations in the selection and treatment of his themes. In 1966, Lewin published a novel, The Unaltered Cat. He died of pneumonia in New York on May 9, 1968.
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The Picture of Dorian Gray
Albert Lewin
George Sanders, Hurd Hatfield
Posing for a portrait, Dorian Gray talks with Lord Henry Wotton, who says that men should pursue their sensual longings, but laments that only the young get to do so. Taken with the idea, Dorian imagines a scenario in which the painting will age as he stays youthful. His wish comes true, and his boyish looks aid him as he indulges his every whim. But when a stunning revelation forces him to see what he's become, Dorian faces some very dangerous questions.
The Picture of Dorian Gray
Pandora and the Flying Dutchman
Albert Lewin
James Mason, Ava Gardner
Pandora Reynolds is a woman who has never fallen in love – but one who men kill and die for. When she meets dashing and mysterious ship's captain Hendrik van der Zee, he pushes her to commit the ultimate act of love.
Pandora and the Flying Dutchman
The Moon and Sixpence
Albert Lewin
George Sanders, Herbert Marshall
Loosely inspired from Gauguin's life, the story of Charles Strickland, a middle-aged stockbrocker who abandons his middle-classed life, his family, his duties to start painting, what he has always wanted to do. He is from now on a awful human being, wholly devoted to his ideal: beauty.
The Moon and Sixpence
Saadia
Albert Lewin
Cornel Wilde, Mel Ferrer
Saadia is a wild, strange Arab girl whose life has been dominated by a local sorceress, a vengeful outcast in the community, who has convinced her she has the "evil eye" and brings disaster to all who love her. French doctor Henrik takes her to his clinic, for rehabilitation purposes, and falls in love with her as does his friend, Si Lahssen, the reigning prince of this small Moroccan state. When a plague falls on the town, Saadia is convinced she is responsible, and rides alone into the mountain country to retrieve the plague serum being held for ransom by bandits. The love triangle dominates most of the rest of the film.
Saadia
