Alfonso Bedoya
1904 - 1957Bedoya was born in the small town of Vicam, Sonora, Mexico, of Yaqui Indian heritage. He had a nomadic childhood upbringing in Mexico, though he was educated in Houston, Texas.
Bedoya found work as a character actor in the US and Mexican film industries in the 1930s to 1940s. During that time, he worked in over 175 Mexican films. His last movie, The Big Country, was released in 1958 after his death.
The Treasure of the Sierra Madre
John Huston
Humphrey Bogart, Walter Huston
Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster.
The Treasure of the Sierra Madre
The Big Country
William Wyler
Gregory Peck, Jean Simmons
Retired wealthy sea captain Jim McKay arrives in the vast expanse of the West to marry fiancée Pat Terrill. McKay is a man whose values and approach to life are a mystery to the ranchers and ranch foreman Steve Leech takes an immediate dislike to him. Pat is spoiled, selfish and controlled by her wealthy father, Major Henry Terrill. The Major is involved in a ruthless civil war, over watering rights for cattle, with a rough hewn clan led by Rufus Hannassey. The land in question is owned by Julie Maragon and both Terrill and Hannassey want it.
The Big Country
El gendarme desconocido
Miguel M. Delgado
Cantinflas, Mapy Cortés
A gang of thieves has jeopardized the city and even the police, whose chief urges their forces to captured the band within 48 hours. Meanwhile, band members meet in a cafe run by a widow and her daughter and her suitor, Cantinflas, who maintains a scuffle with the robbers running all at the station. Since then, Cantinflas become a member of the police force for special missions.
El gendarme desconocido
Las abandonadas
Emilio Fernández
Dolores del Río, Pedro Armendáriz
A young woman, abandoned by her womanizing fiancé, is forced to provide for the upbringing of her son and combat the difficulties of being an unmarried mother during the strife of early 20-century Mexico.
The Abandoned
Flor silvestre
Emilio Fernández
Dolores del Río, Pedro Armendáriz
The film features Fernandez himself as a character named Rogellio Torres. The lion's share of the footage, however, is devoted to the romance between Esperanza, granddaughter of a common laborer, and Jose Luis Castro, the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro's father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow.
Wild Flower
Los de abajo
Chano Urueta
Isabela Corona, Emilio Fernández
During the Mexican Revolution, the people tired of living in poverty and enduring the atrocities committed by the federals, decide to follow one of their own, General Demetrio Macias, a thief with tricks he learned in jail and who along with "La Pintada" decides to take his people to victory. Led by Captain Anastacio Montañez, the newly formed army fight and honor their code at the same time as they loot houses to spread the wealth.
The Underdogs
Ricochet Romance
Charles Lamont
Marjorie Main, Chill Wills
Marjorie Main is the whole show in the Universal programmer Ricochet Romance. Playing the outspoken new cook at a rundown dude ranch, Marjorie forces everyone around her to pitch in and bring some life back into the place. She also sets her sights on old layabout Chill Wills, scheming to rope the critter into marriage. Veteran comedy director Charles W. Lamont moves the proceedings along with style, never missing an opportunity for a low-comedy slapstick turn. The most surprising aspect of Ricochet Romance is that it is not an entry in Marjorie Main's Ma and Pa Kettle series.
Ricochet Romance
