Ged Marlon
1954 (71 год)
’Round Midnight
Bertrand Tavernier
Dexter Gordon, Франсуа Клузе
Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.
'Round Midnight
Tandem
Patrice Leconte
Jean Rochefort, Gérard Jugnot
Michel Mortez travels around France hosting a radio game show he created 25 years ago. He is famous among the average Frenchmen. Rivetot, his assistant and technician, always goes with him. He is the only one who knows what really lies under Mortez's appearance of a playful don Juan. When the program is canceled, Rivetot delays telling Mortez as long as possible... Both malicious and tender, this bitter comedy also shows nostalgia.
Tandem
Safe Conduct
Bertrand Tavernier
Jacques Gamblin, Denis Podalydès
The film is about the French film industry from 1942 to 1944 during the Nazi occupation. The film focuses on assistant director and resistance fighter Jean Devaivre and screenwriter Jean Aurenche. Aurenche is on the move so that he doesn't have to write anything collaborationist. Devaivre is in dangerous political activity. Devaivre also works for the German production company Continental where he is respected. On the other hand, Aurenche's scriptwriting doesn't help how he lives and he is a womanizer which causes him to procrastinate.
Safe Conduct
Cycling with Molière
Philippe Le Guay
Fabrice Luchini, Lambert Wilson
Serge Tanneur is at the pinnacle of his acting career when he decides to turn his back on show business and become a hermit living off of France’s Atlantic coast. Three years later, Gauthier Valence, a beloved TV actor, shows up on the island to offer Serge a role in his directorial debut – a rendition of Molière’s classic play, “The Misanthrope”. Serge refuses at first, but then suggests that they rehearse the first scene and after five days he’ll decide if he wants to dothe play or not. What ensues is a battle of brawn and wits and peculiar encounters with a hotel maid who longs to be a pornstar and an Italian divorcée.
Cycling with Molière
Viva la vie
Claude Lelouch
Charlotte Rampling, Michel Piccoli
The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.
Long Live Life
L'Amour braque
Andrzej Żuławski
Sophie Marceau, Tchéky Karyo
After a successful bank robbery, Micky hopes to take back his girlfriend Marie who has been taken from him. On the way to Paris he meets Leon, a neurotic dreamer whom he considers an idiot. Leon can hardly understand what Micky is up to but he follows him everywhere and soon falls in love with Marie.
Mad Love
Couchettes express
Luc Béraud
Jacques Gamblin, Bernard Haller
Antoine steward on the night train Paris-Venice. He must cards and identity documents of travelers in 'his' pick wagon. One day, a passenger, Jean-Bernard, for protection. He suffers from an unknown illness and he is not alone on the run for scholars who want to use him as a guinea pig, but also for Brandeburg, a trader in human organs.
Couchettes express
Seven Women, Seven Sins
Chantal Akerman, Maxi Cohen
Luis Guzmán, Michael Dick
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
Seven Women, Seven Sins
Vive nous!
Camille de Casabianca
Dieudonné, Michèle Bernier
When Valérie's husband Yves confesses he's in love with another woman, she happens into a judo club and begins lessons. She likes it, she's a natural, and she's attracted to Bruno, the quiet instructor. He likes her as well, but sees social class as a barrier, and Yves never seems to be too far away. Valérie's two close friends have their own stories: Annette is continuously looking for a husband, with little luck. Clara cares more about wealth and power, and takes up with the country's finance minister, an older man who flips for her. Meanwhile, Yves's lover doesn't seem in a hurry to leave her husband, so Valérie looks good to him from time to time. Will Bruno ever make a move?
Vive nous!
La Clinique de l'amour!
Artus de Penguern
Bruno Salomone, Natacha Lindinger
John - conscientious and romantic - and Michael - thoughtless and unfaithful - are surgeons at their father’s private hospital. John felt madly in love with Priscilla, a wonderful nurse. But he is betrayed by Michael who decides to marry her. Shattered by his loss, John moves to Canada. But Michael’s new project to dedicate the clinic to plastic surgery leads them to bankruptcy, forcing John to come back in the hope of saving the clinic...
Sex, Lies and Surgery
