Fernand Gravey
1905 - 1970Gravey started performing at age five under his father's direction.
Before World War I, he received an education in Britain and could speak both French and English fluently, something which became useful in his movie roles. During the war, Gravey served in the British Merchant Marine Corp.
In 1936, he married the French actress Jane Renouardt, who was 15 years his senior. They remained together until his death on 2 November 1970 of a heart-attack. Jane died on 3 February 1972. They had no children.
Gravey performed in four films in 1913 and 1914 (as Fernand Mertens), but his first film of importance was L'Amour Chante, released in 1930. In 1933, he made Bitter Sweet, his first English language movie, which became more famous in its 1940 incarnation with Jeanette MacDonald and Nelson Eddy.
In 1937, after several more French and British movies, Gravey went to Hollywood, where the spelling of his last name was altered to Gravet, and he became the focus of a rather extensive Hollywood publicity campaign (instructing moviegoers to pronounce his name properly: "Rhymes with Gravy"). Unfortunately for Gravey, he was offered only standard parts, the type of Gallic-lover roles that Louis Jourdan played in the 1950s and 1960s.
The first two films he made in Hollywood were for Warner Brothers: The King and the Chorus Girl (1937), with Joan Blondell and Jane Wyman, and Fools for Scandal (1938), with Carole Lombard and Ralph Bellamy. Gravey then signed with Metro-Goldwyn-Mayer and was cast as Johann Strauss in the expensive biopic The Great Waltz, with Luise Rainer and Miliza Korjus.
MGM next planned to star Gravey in a film version of Rafael Sabatini's adventure novel Scaramouche, but instead he returned to France just before the Nazi occupation began. Although he had agreed to appear in German-approved French films, Gravey was an underminer of the invaders as a member of the French Secret Army and the Foreign Legion.
At the end of the war, Gravey was considered a war hero, and continued to be featured in French productions such as La Ronde (with Danielle Darrieux), and Royal Affairs in Versailles (1954). Among his last English language performances were How to Steal a Million (1966), Guns for San Sebastian (1968) and The Madwoman of Chaillot (1969), in which he played the police inspector.
Source: Article "Fernand Gravey" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Mademoiselle Josette, ma femme
André Berthomieu
Odile Versois, Fernand Gravey
Josette needs to marry within a year to get her aunt's money but her fiance has left.After getting permission from her godfather for a "white wedding, " she realizes she loves the godfather instead.
Mademoiselle Josette, ma femme
Monsieur Sans-Gêne
Karl Anton
Fernand Gravey, Josseline Gaël
A man creates a national scandal after he mistakenly kisses the wrong woman in a darkened cinema. The following year it was remade as an American comedy One Rainy Afternoon, released by United Artists.
Monsieur Sans-Gêne
La Ronde
Max Ophüls
Adolf Wohlbrück, Simone Signoret
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.
La Ronde
C'était un musicien
Frederic Zelnik, Maurice Gleize
Fernand Gravey, Roland Toutain
When he is not conducting his orchestra, a talented young man invents a device to thwart car thieves.Associating himself with a rich Dutch baron, he falls in love with the baron's daughter.
C'était un musicien
Le Dernier Tournant
Pierre Chenal
Fernand Gravey, Michel Simon
Frank, a hobo, ends up in a garage-truck stop in the middle of nowhere. Nick Marino, its older, kind and naive owner, is married to Cora, a sexy and mercenary woman half his age. Frank, although not a fan of hard work, accepts Nick's offer to work for him. Of course, it is not for Nick's sake that the young man becomes his attendant, but for the love of Cora under whose spell he has fallen at once. It does not take long before Cora, who despises her husband, asks her lover to help her get rid of him. Frank is reluctant at first but ...
The Last Turning
Si Versailles m'était conté
Sacha Guitry
Michel Auclair, Jean-Pierre Aumont
Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are followed in more detail to the start of the Revolution, after which the story is brought rapidly up to date. A huge cast plays mainly historical persons who appear briefly.
Royal Affairs in Versailles
Paradis perdu
Abel Gance
Fernand Gravey, Micheline Presle
In pre-World Ward I in Paris, a budding artist, Pierre LeBlanc, falls in love and marries Janine, a dressmaker's assistant. Pierre has a flair for designing clothes, and he and his bride live in a blissful paradise, until the war breaks out and he becomes a soldier. Janine dies in childbirth and, no longer desiring to live, Pierre volunteers for a dangerous patrol behind German lines. While recuperating in the hospital from a wound he received on the mission, Pierre spends his time drawing sketches of dresses. He becomes rich and famous after the war. Years later, after devoting himself to his daughter, Pierre seeks a marriage with a girl no older than his daughter. A conflict develops and to ensure his daughter's happiness, Pierre sacrifices his own plans.
Paradis perdu
La nuit fantastique
Marcel L'Herbier
Fernand Gravey, Micheline Presle
Denis, a poor student in philosophy, works as a night porter in the Paris market of Les Halles in order to pay for his studies. Constantly weary, he falls asleep and dreams of a beautiful girl in white, Irène, with whom he falls in love.
Fantastic Night
