Kathrin Resetarits
1973 (52 года)The Bone Man
Wolfgang Murnberger
Josef Hader, Josef Bierbichler
Set in a sleepy Austrian mountain village, ex-detective Simon Brenner has grown weary of his job repossessing cars and embarks on an extended getaway to the countryside. But before long he becomes embroiled in the convoluted world of the locals of a supposedly quiet town.
The Bone Man
Ich bin ich
Kathrin Resetarits
Kimberley Jeckl, Jill Jeckl
Twins look alike. Sometimes they even think alike. But they're two rather than one. I Am Me is in part about the fact that an individual is more than the sum of his or her characteristics. The fact that a person is neither what other people say about them nor their own description of themselves. And photographs and moving images are nothing more than representations.
I am me
Wald der Echos
Maria Luz Olivares Capelle
Calista Berger, Christina Kasper
A teenager, Christina, loses her friends in the forest. Looking for them she finds the bodies of three drowned kids on the shore of a lagoon. On summer holiday, deep in the woods, three kids, cousins, are playing around a lake when they find a drowned young woman drifting in the water. Games, lies and rituals unfolding into a circular time in which death loses its ultimacy. What is real and what is a mirage? Who is dreaming and who is being dreamed?
Forest of Echos
To the Future through the Night
Jörg Kalt
Simon Schwarz, Kathrin Resetarits
Nick, a jobless cook, falls in love with Anna, a film student. Some time after their adventurous first night she leaves him. Then time starts to run backwards - for everybody but Nick. He finds himself in a backwards world, everybody talks, runs, eats backwards. He accepts the situation, realizing that Anna is bound to return to him this way. He wants them to live together, him forwards, her backwards...
To the Future through the Night
L'Animale
Katharina Mückstein
Sophie Stockinger, Kathrin Resetarits
Riding on their tuned-up bikes, Mati and her posse of male friends intimidate their neighborhood and harass the girls. In their village, they rule. But when her closest pal Sebastian falls in love with Mati and her enemy Carla unexpectedly turns into a friend, Mati is in danger of losing her standing among her male friends. Meanwhile Mati’s parents have a decision to make: What's more important, appearances or reality?
L'Animale
Crash Test Dummies
Jörg Kalt
Maria Popistașu, Bogdan Dumitrache
Ana and Nicolae, a young Romanian couple, travel by bus from Bucharest to Vienna with the prospect of making quick money by handing over a stolen car. As soon as they arrive, however, they are reassured that the car is not yet ready for them. Ana then wants to go back to Romania, Nicolae would rather travel further west. They are stuck penniless in Vienna.
Crash Test Dummies
In My Room
Ulrich Köhler
Hans Löw, Elena Radonicich
Armin, in his fourties, is a freelancer with lots of time and little money. He’s not really happy, but can’t picture living a different life. One morning the world looks the same as always, but mankind has disappeared.
In My Room
Fallen
Barbara Albert
Nina Proll, Birgit Minichmayr
Five former high school friends reunite for an evening of fun, remembrance and sadness in this Altmanesque portrait of female friendship. A look at how youthful idealism turns into adult pragmatism, and how one can fight such changes, from the director of Free Radicals.
Falling
Welt an Bord
Eva Könnemann
Kathrin Resetarits, Kai Wöhlke
Germany, as seen from the water. The landscape passes by in epic tranquillity as the audience immerses itself in the world of barge shipping. The top permitted speed for smaller watercraft is specified in the inland waterways regulations as a maximum of 15 km/h. A woman is along for the ride on Germany’s rivers and canals, with plenty of time to explore this little-known cosmos. In the end, the director dreams of a life on board and endeavours to find her place in the predominantly male domain. Welt an Bord is a hybrid of documentary and narrative film. The basic conditions are set by the limited space on the barge and the work that must be done. Kathrin Resetarits embodies the alter ego of director Eva Könnemann, while she herself takes charge of the cinematography. Together they accepted the captain’s invitation to join in this other life. What kind of life is it anyway? Resetarits/Könnemann listen and work their way through fiction and reality.
World on Board
