Ettore Scola
1931 - 2016Scola was born in Trevico, Avellino, Campania. From age 15, he became a ghostwriter. He entered the film industry as a screenwriter in 1953, and collaborated with director Dino Risi and fellow writer Ruggero Maccari on the screenplay for Risi's feature, Il Sorpasso (1962). He directed his first film, Let's Talk About Women, in 1964. In 1974 Scola enjoyed international success with We All Loved Each Other So Much (C'eravamo tanto amati), a wide fresco of post-World War II Italian life and politics, dedicated to fellow director Vittorio De Sica. The film won the Golden Prize at the 9th Moscow International Film Festival. In 1976 he won the Prix de la mise en scène at the 1976 Cannes Film Festival for Brutti, sporchi e cattivi.
Scola made further successful films, including A Special Day (1977), That Night In Varennes (1982), What Time Is It? (1989) and Captain Fracassa's Journey (1990). He directed close to 40 films in some 40 years. His film Passione d'amore, adapted from a 19th-century novel, was adapted by Stephen Sondheim and James Lapine into the award-winning musical Passion. He was a member of the jury at the 1988 Cannes Film Festival.
Scola died in Rome on 19 January 2016 at the age of 84.
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A Special Day
Ettore Scola
Sophia Loren, Marcello Mastroianni
In Rome, fascist supporter Emanuele attends a parade commemorating Adolf Hitler's historic meeting with Italian leader Benito Mussolini, leaving his apolitical wife, Antonietta, to tend to household duties. Antonietta encounters a man, Gabriele, who appears surprisingly nonplussed by the political event. Over the course of the day, the two forge a close friendship that will forever change their perceptions of life, love and politics.
A Special Day
Ugly, Dirty and Bad
Ettore Scola
Nino Manfredi, Maria Luisa Santella
Giacinto lives with his wife, their ten children and various other family members in a shack on the hills of Rome. Some time ago he has lost his left eye while at work, and got a consistent sum of money from the insurance company, which he keeps hidden from the rest of the family. His whole life is now based on defending the money he sees as his own, while the rest of the family tries to kill him.
Ugly, Dirty and Bad
La famiglia
Ettore Scola
Vittorio Gassman, Fanny Ardant
"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.
The Family
Sophia: Ieri, oggi, domani
Massimo Ferrari
Sophia Loren, Woody Allen
Documentary exploring the formidable life and career of Italian film star Sophia Loren. With interviews with the actress herself, as well as thoughts from colleagues and admirers, including Woody Allen.
Sophia: Yesterday, Today, Tomorrow
The Voyage of Captain Fracassa
Ettore Scola
Massimo Troisi, Ornella Muti
Serafina, Pulcinella and Isabella are three lusty, beautiful members of a traveling theatrical troupe touring the French countryside in the 17th century, leaving in their wake a crop of broken hearts. This picaresque romantic comedy is based on the 1863 novel Le Capitaine Fracasse by Theophile Gauthier. In the story, the company stops at a castle owned by the scruffy young Baron de Sigognac, who is deeply smitten with the charms of the middle-aged (and somewhat morose) beauty Serafina. He decides to travel with the company, and Serafina perversely tries to get him to woo the youngest of the company, the newly bereaved Isabella.
The Voyage of Captain Fracassa
Water and Sugar: Carlo Di Palma, the Colours of Life
Fariborz Kamkari
Bernardo Bertolucci, Christian De Sica
An account of the life and work of the legendary cinematographer and director Carlo Di Palma (1925-2004) and an emotional journey into the greatest moments of cinema, from the Italian neorealism to the masterpieces of Woody Allen, commented by prestigious figures of world cinema.
Water and Sugar: Carlo Di Palma, the Colours of Life
Splendor
Ettore Scola
Marcello Mastroianni, Massimo Troisi
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
Splendor
Dramma della gelosia (tutti i particolari in cronaca)
Ettore Scola
Marcello Mastroianni, Monica Vitti
Construction worker Oreste and young fiancee Adelaide meet Nello, cook in a pizzeria. This love triangle often go to communist rallies, and enjoy the filthy beach of Ostia. Will the hostile environment leave a way to jealousy?
A Drama of Jealousy (and Other Things)
