Piero Tosi
1927 - 2019
L'Isola di Medea
Sergio Naitza
Pier Paolo Pasolini, María Callas
On the 40th anniversary of the death of Maria Callas (September 16, 1977), with footage never seen before from Pier Paolo Pasolini's film MEDEA, this film celebrates the genius and sensibility of two icons of the XX century.
The Isle of Medea
Alida
Mimmo Verdesca
Giovanna Mezzogiorno, Piero Tosi
A complete and never-before-seen portrait of the life of a young girl from Pula (Istria) who quickly became one of the most famous and beloved actresses of Italian and international cinema, told through the words of her unpublished letters and diaries, photographs, homemade films in 8 mm, and new interviews with her relatives, friends, and collaborators.
Alida Valli: In Her Own Words
A Dying Breed: The Making of The Leopard
Antonio Monda
Claudia Cardinale, Suso Cecchi d'Amico
An hour-long documentary featuring interviews with Claudia Cardinale, screenwriter Suso Ceccho D’Amico, Rotunno, filmmaker Sydney Pollack, and many others.
A Dying Breed: The Making of 'The Leopard'
La passione di Laura
Paolo Petrucci
Francesca Archibugi, Bernardo Bertolucci
A portrait of Laura Betti with archival footage and stories of friends: Bernardo Bertolucci remembers Laura in "Novecento" and in a lost sequence of "Last Tango in Paris", Giacomo Marramao and Walter Siti dwell on the relationship with Pier Paolo Pasolini, Francesca Archibugi remembers a precious friend, Michelle Kokosowski and Jack Lang talk about the successful and mutual love for France, Piero Tosi and Paolo Poli remember her youth, Jacqueline Risset her private life, Valentino Parlato her civic passion, Renato Nicolini recaps her difficult relationship with institutions, Filippo Crivelli remembers the singer. Views that seek to reconstruct the figure of an exceptional artist, unusual and contradictory.
Laura's Passion
Luchino Visconti
Carlo Lizzani
Luchino Visconti, Vittorio Gassman
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.
Luchino Visconti
