Iya Marx

Конец света

Boris Buneev

Stanislav Sokolov, Yevgeniya Kolmykova

A satirical comedy with elements of metaphysical horror about religion in rural 1960s Soviet Russia. Notable for using first-person pseudo-documentary "found footage" technique framing the movie as the creation of the protagonist, who is returns to his home village from the city to discover that a local drunk has formed a doomsday cult.