Jérôme Cognet, Karen Luong
Fragments of vinyl records, microgrooves, cinematographic wefts which, through editing and sampling, tend to reject any storytelling, to become exclusively language of avoidance and reappropriation.
Crossover
Images without worlds, without edges. Floating landscapes, absorbed stares. We perceive the rustle of optical sounds: a white noise that blurs the other sounds. The spectator, numb, falls into an elsewhere at the gates of sleep.
White Noise
