Pierre Chenal
1904 - 1990Chenal occupies an uncomfortable place in the history of French cinema: relatively unknown, he is cataloged as a filmmaker who left only a light body of work. His detailed filmography, however, tends to show the opposite. Made in the 1930s, his first short films were documentaries where the filmmaker used social realism. The Little Trades of Paris (1932) or A French City of Cinema had a didactic ambition which ranked him among the innovators at the time.
Throughout his work, Pierre Chenal will maintain this taste for atmospheres tinged with truth where the social is shown. Hence his very marked penchant for adaptations of literary works by his contemporaries: he borrowed from Marcel Aymé the title of one of his first feature films, La rue sans nom (1933); summons Pirandello and The Man from Nowhere (1937); depicts The Mutineers of Elsinore by Jack London; and transforms James Cain's novel The Postman Always Rings Twice to give The Last Turn.
Pierre Chenal loves actors and casts the biggest ones. Louis Jouvet, Robert Le Vigan, Michel Simon, Pierre Blanchar, Viviane Romance and Albert Préjean praise his talent. In 1940, the filmmaker's career took a new turn when he retreated, during the war, to Argentina and Chile. He made a few minor films there, then returned to France with comic intentions expressed in Clochemerle (1947). In 1948, Chenal returned to Argentina and adapted Sangre Negra by the American noir novelist Richard Wright. Then, he developed a passion for thrillers and experimented with the genre on several occasions. But Raid on the City (1958), The Beast on the Prowl (1959) and The Assassin Knows the Music (1963) are not considered to be his best films.
Paris Cinéma
Jean Mitry, Pierre Chenal
Carmen Boni, Augusto Genina
The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "
Paris Cinéma
La foire aux chimères
Pierre Chenal
Erich von Stroheim, Madeleine Sologne
The Director of an international banknote printing institute, mutilated by the face of the Great War, Frank Davres, falls in love with a young woman, Jeanne, admirably beautiful, but blind. He marries her. For her, he ruins himself and comes to issue counterfeit banknotes. The young woman does everything to make people forget her infirmity. One day, following an operation, she recovers her sight and notices the physical and moral ugliness of her husband. She hides her cure until the day when Frank, taken by the police, kills one of his accomplices and commits suicide. Jeanne leaves to join a friend with whom she was performing in a circus.
Devil and the Angel
Le Dernier Tournant
Pierre Chenal
Fernand Gravey, Michel Simon
Frank, a hobo, ends up in a garage-truck stop in the middle of nowhere. Nick Marino, its older, kind and naive owner, is married to Cora, a sexy and mercenary woman half his age. Frank, although not a fan of hard work, accepts Nick's offer to work for him. Of course, it is not for Nick's sake that the young man becomes his attendant, but for the love of Cora under whose spell he has fallen at once. It does not take long before Cora, who despises her husband, asks her lover to help her get rid of him. Frank is reluctant at first but ...
The Last Turning
L'homme de nulle part
Pierre Chenal
Pierre Blanchar, Isa Miranda
Mathias Pascal, saddled with a stupid wife and a nagging mother-in-law, leaves home and is extremely lucky at several gambling resorts. He returns home and discovers that a drowned man, fished out of the river, bears an uncanny likeness to him and is being buried by his family as him. This, to him, is a pleasant turn of events and he goes to Rome, where he falls in love with Louise Paleari. Count Papiano, a jealous suitor of Louise's, threatens him with arrest unless he produces credentials to prove his identity.
The Man from Nowhere
L'alibi
Pierre Chenal
Erich von Stroheim, Louis Jouvet
Paris, 1937. Winckler kills his enemy Gordon, a Chicago mobster, from the stage of a Parisian music hall, where he performs telepathy. He pays another artist, Helene, so that she tells the police they've spent the night together, which doesn't fool Callas, the police officer who investigates the murder. He hires one of his fellow officers in order to seduce Helene.
Alibi
Rafles sur la ville
Pierre Chenal
Charles Vanel, Bella Darvi
Michel Piccoli plays a police inspector whose best friend is murdered on the orders of gang boss Charles Vanel. The inspector knows full well that Vanel is too crafty and well-connected to ever stand trial for his crime, so he carefully lays a subtle trap for his adversary. Unfortunately, both Piccoli and Vanel are thwarted by a pair of scheming females.
Sinners of Paris
La maison du Maltais
Pierre Chenal
Louis Jouvet, Marcel Dalio
Town trollop Safia, much against her better judgment, falls in love with Matteo, a beggar and mystic in the native quarter of Sirocco. She flees to France, first as the mistress and then wife of a wealthy archaeologist, and bears him Matteo's child, whom he believes to be his own. Complications arise years later when Matteo finds Safia, and a ring of blackmailers uncover her past and exposes her to her husband.
Sirocco
L'assassin connaît la musique
Pierre Chenal
Paul Meurisse, Maria Schell
Lionel Fribourg, a great composer (at least that's what he thinks) has a problem with his noisy environment: he can't complete his unfinished symphony. Of course there is a market for unfinished symphonies but, for all he knows, only one became famous. So he had better find a way to finish it. At long last, he comes across Agnès, a divorced woman who agrees to let him her quiet home. Lionel, full of hope, resumes work...
L'assassin connaît la musique
La bête à l'affût
Pierre Chenal
Françoise Arnoul, Henri Vidal
Melun, on 1959. On the return to an auction, a young and attractive widow, Elisabeth Vernon, finds at her home(with her) a wounded escapee of prison. The fugitive, Daniel Morane, is a handsome boy and justifies himself crimes(murders) of which we accuse it. The young woman is allowed convince, seduce, feels sorry, and agrees to help him(it). But during their escape(mare), the doubt seizes her …
Beast at Bay
