
Olin Howland
1886 - 1959Olin Ross Howland (February 10, 1886 – September 20, 1959) was an American film and theatre actor.
Howland was born in Denver, Colorado, to Joby A. Howland, one of the youngest enlisted participants in the Civil War, and Mary C. Bunting. His older sister was the famous stage actress Jobyna Howland.
From 1909 to 1927, Howland appeared on Broadway in musicals, occasionally performing in silent films. The musicals include Leave It to Jane (1917), Two Little Girls in Blue (1921) and Wildflower (1923). He was in the film Janice Meredith (1924) with Marion Davies. With the advent of sound films, his theatre background proved an asset, and he concentrated mostly on films thereafter, appearing in nearly two hundred movies between 1918 and 1958.
Howland often played eccentric and rural roles in Hollywood. His parts were often small and uncredited, and he never got a leading role. He was a personal favorite of David O. Selznick, who cast him in his movies Nothing Sacred (1937) as a strange luggage man, The Adventures of Tom Sawyer (1938, as the teacher Mr. Dobbins) and Gone with the Wind (1939) as a carpetbagger businessman. He also played in numerous westerns from Republic Pictures, including the John Wayne films In Old California (1942) and Angel and the Badman (1947). As a young man, Howland learned to fly at the Wright Flying School and soloed on a Wright Model B. This lent special sentiment in his scenes with James Stewart in the film The Spirit of St. Louis (1957), as Stewart was also a pilot in real life. The Spirit of St. Louis and Them (1954),where he played a drunken old man, and The Blob (1958) were his last films.
He also played in telelevision shows during the 1950s. In 1958 and 1959, he was cast as Charley Perkins in five episodes of ABC's sitcom The Real McCoys, starring Walter Brennan.
Howland never married and had no children. He worked until his death in Hollywood, California, at the age of 73.
Complicated Women
Hugh Munro Neely
Jane Fonda, Frances Dee
Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.
Complicated Women
Over the Hill
Henry King
Mae Marsh, James Dunn
In their farm house in a New York village, Ma Shelby prepares breakfast for her four children, Isaac, Tommy, Johnny and Susan, and then awakens them. The racket the boys make as they play and fight awakens their father, who spanks the eldest, Isaac. When a visitor chides Pa for not working, Ma sticks up for her husband, saying that he has a weak back and that he is waiting for a promised government job.
Over the Hill
This Gun for Hire
Frank Tuttle
Veronica Lake, Robert Preston
Sadistic killer-for-hire Philip Raven becomes enraged when his latest job is paid off in marked bills. Vowing to track down his double-crossing boss, nightclub executive Gates, Raven sits beside Gates' lovely new employee, Ellen, on a train out of town. Although Ellen is engaged to marry the police lieutenant who's hunting down Raven, she decides to try and set the misguided hit man straight as he hides from the cops and plots his revenge.
This Gun for Hire
Merrily We Live
Norman Z. McLeod
Constance Bennett, Brian Aherne
Society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome tramp who shows up at her doorstep and ends up in a chauffeur's uniform. He also catches the eye of Geraldine.
Merrily We Live
Them!
Gordon Douglas
James Whitmore, James Arness
As a result of nuclear testing, gigantic, ferocious mutant ants appear in the American desert southwest, and a father-daughter team of entomologists join forces with the state police officer who first discovers their existence, an FBI agent and, eventually, the US Army to eradicate the menace, before it spreads across the continent, and the world.
Them!
Buy Me That Town
Eugene Forde
Lloyd Nolan, Constance Moore
A gangster and his mob buy a small-town in this warm comedy. They, tired of trying to make it as big city hoods, buy the town to use as a hideout. The leader of the gang begins to have a change of heart after he begins falling for a local girl.
Buy Me That Town
Little Women
George Cukor
Katharine Hepburn, Joan Bennett
Little Women is a coming-of-age drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops. The family, headed by their beloved Marmee, must struggle to make ends meet, with the help of their kind and wealthy neighbor, Mr. Laurence, and his high spirited grandson Laurie.
Little Women
Sheriff of Cimarron
Yakima Canutt
Sunset Carson, Linda Stirling
Sunset Carson rides into the town of Cimarron looking for his brother and the crooks who framed him for cattle rustling. When he's made sheriff, he struggles to keep order in a place overrun by thieves and liars. Cimarron is a wild town overrun by outlaws. Sunset, who was framed as a cattle rustler, has just been released from prison after 3 years when he winds up in Cimarron.
Sheriff of Cimarron
A Stranger in Town
Roy Rowland
Frank Morgan, Richard Carlson
In the small town of Crownport local attorney Bill Adams is trying to break up the ring of corrupt town officials by running for mayor. The cards seemed stacked against him when he gets help from a visiting hunter who, unknown to Adams and the rest of the town, is actually vacationing supreme court justice John Josephus Grant.
A Stranger in Town
I'll Be Seeing You
William Dieterle
Ginger Rogers, Joseph Cotten
Mary Marshall, serving a six year term for accidental manslaughter, is given a Christmas furlough from prison to visit her closest relatives, her uncle and his family in a small Midwestern town. On the train she meets Zach Morgan, a troubled army sergeant on leave for the holidays from a military hospital. Although his physical wounds have healed, he is suffering from post-traumatic stress disorder and is subject to panic attacks. The pair are attracted to one another and in the warm atmosphere of the Christmas season friendship blossoms into romance, but Mary is reluctant to tell him of her past and that she must shortly return to prison to serve the remainder of her sentence.
I'll Be Seeing You