Tito Guízar
1908 - 1999Federico Arturo Guízar Tolentino (April 8, 1908 – December 24, 1999) was a Mexican singer and actor. Born in Guadalajara, Jalisco, he
performed under the name of Tito Guízar. Together with Dolores del Río, José Mojica, Ramón Novarro and Lupe Vélez, Guízar was among the few Mexican people who made history in the early years of Hollywood. In a career that spanned over seven decades, Guízar trained
early as an opera singer and traveled to New York in 1929 to record the songs of Agustín Lara.
In addition, Guízar performed both operatic and Mexican popular songs at Carnegie Hall, but he succeeded with his arrangements of popular Mexican and Spanish melodies such as Cielito Lindo, La Cucaracha, Granada, and You Belong to My Heart (English version of Solamente una Vez). In 1936, his song Allá en el Rancho Grande launched the singing charro in Mexico after appearing in the film of the same name, succeeding as well in the United States.
He also starred in dozens of films, including The Big Broadcast of 1938 (1938), Tropic Holiday (1938), St. Louis Blues (1939), The Llano Kid (1939), Brazil (1944), and The Gay Ranchero (1948), playing with such stars as Evelyn Keyes, Dorothy Lamour, Ray Milland, Ann Miller, Martha Raye, Roy Rogers, Mae West and Keenan Wynn. In the 1990s, he continued playing series parts in Mexican television.
Allá en el Rancho Grande
Fernando de Fuentes
Tito Guízar, Esther Fernández
Two good friends — the owner and general manager of a ranch — fall in love with the same girl at the same time. The owner tries to 'buy' the girl without knowing she is in love with the manager.
Allá en el Rancho Grande
Blondie Goes Latin
Robert Sparks, Frank R. Strayer
Penny Singleton, Arthur Lake
Mr. Dithers invites the Bumsteads on a South American cruise. Somehow Dagwood winds up as the female drummer in the ship's band, while Penny Singleton gets to show off her Broadway background in some lively musical numbers.
Blondie Goes Latin
St. Louis Blues
Raoul Walsh
Dorothy Lamour, Lloyd Nolan
A Broadway musical comedy star tires of the same old grind and flees the city. She runs into the skipper of a showboat who befriends her, and they make plans to put together a musical revue. But a competing carnival owner hatches a scheme to put an end to the show before it begins.
St. Louis Blues
The Gay Ranchero
William Witney
Roy Rogers, Trigger
Manzanita Springs ia a combination small airline and spa and Vance Brados wants it. He pays their mechanic to have the planes run out of fuel so his men can rob the gold shipments and kill the pilots. After Sheriff Roy Rogers catches the mechanic, Roy plans one more gold shipment to get proof and this time his men will be ready. But it looks like Roy's plan will fail when Brados suspects a trap and call off the raid.
The Gay Ranchero
Brazil
Joseph Santley
Tito Guízar, Virginia Bruce
Brazil is perhaps the best of the handful of US films made by Brazilian singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.
Brazil
