Philippe de Broca
1933 - 2004He directed 30 full-length feature films, including the highly successful That Man from Rio (L'Homme de Rio), The Man from Acapulco (Le Magnifique) and On Guard (Le Bossu). His works include historical, romantic epics such as Chouans! and King of Hearts (Le Roi de cœur), as well as comedies with a charismatic, breezy hero ready to embark upon any adventure which comes his way, so long as it means escaping everyday modern life: Practice Makes Perfect (Le Cavaleur), The Devil by the Tail (Le Diable par la queue), The African (L'Africain). He had links with the actor Jean-Paul Belmondo, with whom he made six films, as well as with Jean-Pierre Cassel, Philippe Noiret and Jean Rochefort.
Philippe de Broca was born on 15 March 1933 in Paris, France. He was the son of a cinema set designer and the grandson of a well-known painter, Philippe de Broca. He studied at the Paris Photography and Cinematography School (école Vaugirard), graduating in 1953. He carried out his military service with the service cinématographique des armées (army film service) in Germany and then in Algeria, directing or acting as head cameraman on short films. Greatly affected by the war he witnessed, he vowed to show life in its best light in his future films “because laughter is the best defence against upsets in life”. After his discharge from the military, he set off on a journey taking in the length of Africa in Berliet trucks before returning to Paris.
He began working as an intern with Henri Decoin, before finding assistant positions with Claude Chabrol: Bitter Reunion (Le Beau Serge), The Cousins (Les Cousins), Web of Passion (À Double Tour), François Truffaut: The 400 Blows (Les 400 Coups) and Pierre Schoendoerffer: Ramuntcho. In 1959, Claude Chabrol produced de Broca's first film for him, The Love Game (Les jeux de l’amour) with Jean-Pierre Cassel. De Broca went on to work with Cassel again in The Joker (Le Farceur, 1960), Five Day Lover (L’Amant de cinq jours, 1961), and Male Companion (Un Monsieur de Compagnie, 1964).
De Broca's first commercial success came with Swords of Blood (Cartouche), filmed in 1962. This film also saw two more names become associated with de Broca: the actor Jean-Paul Belmondo and the producer Alexandre Mnouchkine. International acclaim came with That Man from Rio (L'Homme de Rio) in 1964, Up to His Ears (Les tribulations d'un Chinois en Chine) in 1965, The Man from Acapulco (Le Magnifique) in 1973 and Incorrigible (L'Incorrigible) in 1975.
In 1966, he co-wrote, directed and produced King of Hearts (Le Roi de Cœur). This parody of the Great War, which some cinema-lovers consider his masterpiece, was a commercial and personal failure, to de Broca's dismay. Yet it eventually achieved genuine cult-film status during the mid 1970s when it was presented in repertory movie theaters as well as non-theatrical college and university film series across the United States, eventually running for five years at the now defunct film house, the Central Square Cinemas in Cambridge, Massachusetts. ...
Source: Article "Philippe de Broca" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Le Terminus des Prétentieux
Sylvain Perret
Michel Audiard, Denys de La Patellière
This year, Michel Audiard would have turned 100. To celebrate the life and work of the French screenwriter and director, Gaumont opens their vault and reveals some unknown information on the legendary witty dialogues writer.
Le Terminus des Prétentieux
Les Quatre Cents Coups
François Truffaut
Jean-Pierre Léaud, Claire Maurier
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
The 400 Blows
Tales from the Zoo
Philippe de Broca
Claude Rich, Salomé Stévenin
In Paris, near the end of World War II, crotchety professor Fernand Bonnard maintains a zoo and continues his research. He's a coward, as is his debonair son, Armand, who has one daughter, Philippine. On her eighth birthday, Armand picks her up from her repressive boarding school and takes her to Fernand's to celebrate. Father and son quarrel, and Armand leaves, only to be arrested and shot for violating curfew. In grief, the curmudgeonly Fernand does not tell Philippine, but invents a life for Armand as a captain of the Resistance. Fernand takes her from school to live with him and his sensible wife. Along the way, Philippine finds out the truth and Fernand discovers courage.
Tales from the Zoo
Le Roi de cœur
Philippe de Broca
Alan Bates, Geneviève Bujold
An ornithologist mistaken for an explosives expert is sent alone into a small French town during WWI to investigate a garbled report from the resistance about a bomb which the departing Germans have set to blow up a weapons cache.
King of Hearts
Le Beau Serge
Claude Chabrol
Gérard Blain, Jean-Claude Brialy
François returns to his village after a long absence. He finds his friend Serge who has married Yvonne, and has developed an alcohol problem after the death of their stillborn child. Serge has become an angry, bitter figure not unlike the roles of James Dean, refusing to face reality and adulthood and François must help him.
Le Beau Serge
That Man from Rio
Philippe de Broca
Jean-Paul Belmondo, Françoise Dorléac
French military man Adrien Dufourquet gets an eight-day furlough to visit his fiancée, Agnès. But when he arrives in Paris, he learns that her late father's partner, museum curator Professor Catalan, has just been kidnapped by a group of Amazon tribesmen who have also stolen a priceless statue from the museum. Adrien and Agnès pursue the kidnappers to Brazil, where they learn that the statue is the key to a hidden Amazon treasure.
That Man from Rio
Olhar Estrangeiro
Lúcia Murat
Michael Caine, Jon Voight
Fantasies and clichés about Brazil and Brazilians as reinforced by international films, even those actually shot in Brazil. This documentary features interviews with non-Brazilian directors, writers and stars who have been involved in some of those films.
The Foreign Eye
On Guard
Philippe de Broca
Daniel Auteuil, Fabrice Luchini
France, 17th century, during the reign of Louis XIII. When a dear friend, the Duke of Nevers, is treacherously assassinated by a powerful relative, a skilled swordsman, the noble Henri de Lagardère, seeks his rightful vengeance as he tries to protect the innocent life of the duke's last heir.
On Guard
Le diable par la queue
Philippe de Broca
Yves Montand, Madeleine Renaud
In this comedy, a run-down hotel drums up customers by sabotaging passing cars. The stuck motorists are then obliged to stay. Unfortunately, one of the sabotaged cars belongs to a bank robber. The hotel staff wants the robber out, but they also want to keep his ill-gotten money.
The Devil by the Tail
Tendre Poulet
Philippe de Broca
Annie Girardot, Philippe Noiret
When Lise's car bumps Antoine's bike, they recognize each other from a brief fling 20 years before while at the Sorbonne. He's now a professor of Greek; she's loathe to tell him she's a police inspector. A call interrupts their first dinner date: a Deputy of the National Assembly has been murdered. She has a suspect, another Deputy, and must track him while deflecting Antoine's eye from her vocation. All roads in the inquiry lead to Christine Vallier, the dead Deputy's mistress, a beguiling 22-year-old whose mother ran the Assembly's snack bar. When more deputies die and Antoine learns Lise's identity, she must act quickly solve the crime and save her future.
Dear Inspector
Incorrigible
Philippe de Broca
Jean-Paul Belmondo, Geneviève Bujold
Victor Vautier is incorrigible: he's in constant motion, working several cons at once, using different names and changing disguises. He's charming and outrageous, incapable of uttering a sentence that isn't embellished or an outright lie. His life goal is to make enough money to build a sea wall to protect Mont-Saint-Michel. Charlotte, a parole officer, shows up: she's young and seems taken in by Victor. He discovers she lives above the Senlus Museum, where her parents are the curators. With two pals he decides to steal a priceless El Greco triptych and then ransom it back to the cultural ministry. What will Charlotte do when she realizes he's used her to make a fortune?
Incorrigible
Swords of Blood
Philippe de Broca
Jean-Paul Belmondo, Claudia Cardinale
In the 18th century, Louis de Bourguignon is working with the Malichot's gang, but their ways are too 'unethical' for him. He creates his own band, acting under the name of Cartouche, making audacious robberies of the rich people, and even distributing the takings with the poor. Thus, cartouche attracts the people's sympathies, Venus's love, and hate from the Police and Malichot... Cartouche can escape all the traps they set at him - except the entrapments of love. Eventually, he will be saved by a woman, at her own cost.
Cartouche
