François Darbon
1915 - 1998Stolen Kisses
François Truffaut
Jean-Pierre Léaud, Claude Jade
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Stolen Kisses
Les Misérables
Jean-Paul Le Chanois
Jean Gabin, Danièle Delorme
Victor Hugo's monumental novel Les Miserables has been filmed so often that sometimes it's hard to tell one version from another. One of the best and most faithful adaptations is this 240-minute French production, starring Jean Gabin as the beleaguered Jean Valjean. Arrested for a petty crime, Valjean spends years 20 in the brutal French penal system. Even upon his release, his trail is dogged by relentless Inspector Javert. Valjean's efforts to create a new life for himself despite the omnipresence of Javert is meticulously detailed in this film, which utilizes several episodes from the Hugo original that had hitherto never been dramatized. Originally released as a single film, Les Miserables was usually offered as a two-parter outside of France.
Les Misérables
Antoine et Colette
François Truffaut
Jean-Pierre Léaud, Marie-France Pisier
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Antoine and Colette
Love at Twenty
François Truffaut, Shintarô Ishihara
Jean-Pierre Léaud, Marie-France Pisier
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
Love at Twenty
The Elusive Corporal
Jean Renoir
Jean-Pierre Cassel, Claude Brasseur
The story serves as a companion piece to Renoir's 1937 film, Grand Illusion, once more bringing together men from across the broad social spectrum of French society to depict one man's Sisyphean efforts to escape captivity in a German POW camp.
The Elusive Corporal
Des femmes disparaissent
Édouard Molinaro
Robert Hossein, Magali Noël
Pierre Rossi and Béatrice live in the same block of flats in Marseille and love each other. One night, Béatrice leaves her apartment. Pierre knows that his fiancée goes to a rendezvous, but she would not tell him more than just that. Worried, Pierre follows her but he is attacked and stolen his identity papers by two men, Tom and Nasol, on the payroll of Quaglio, one of the city's bosses. Later on, Quaglio kills Nasol and deposits the body in a garage, leaving Pierre's papers nearby. As for Pierre, he manages to follow Tom to a villa where several young women have been invited. Pierre, horrified, realizes that this place is the headquarters for the white slave trade. - Written by Guy Bellinger
The Road to Shame
Les Hussards
Alex Joffé
Bernard Blier, Giovanna Ralli
Отправленные в разведку бригадир Гусс и рядовой Флико потеряли собственных лошадей. Чтобы не выставлять себя на всеобщее посмешище, они отправляются на поиски своих скакунов в ближайший городок. На беду беглецов их полк отправляется к ним на выручку.
Les Hussards
Le Gorille vous salue bien
Bernard Borderie
Lino Ventura, Charles Vanel
Géo Paquet, aka The Gorilla, breaks from jail. Now an escaped convict, the elite agent must infiltrate a dangerous gang working for a foreign embassy as their leader, a spy enjoying diplomatic immunity, can't be arrested by regular police.
The Mask of the Gorilla
Sois belle et tais-toi
Marc Allégret
Henri Vidal, Mylène Demongeot
A beautiful 18-year-old orphan escapes from a reformatory and hooks up with a gang of jewel smugglers, and decides on a life of crime. However, she falls for and marries a policeman, putting a crimp in her criminal career.
Be Beautiful But Shut Up
Chobizenesse
Jean Yanne
Jean Yanne, Robert Hirsch
Clement Mastard is the head of a leading journal dedicated to extravagant vaudeville. An unexpected contract requires him to reconnect with his former headliner Celia Bergson part to try to avant-garde theater. It is through this that he met Johann Sebastian Bloch, misunderstood musician who cause the loss but the side which Mastard, the man without scruples, to humanize and eventually produce a real masterpiece, the Missa Solemnis
That's Show Business
