Guillermo Montesinos
1948 (78 лет)
Women on the Verge of a Nervous Breakdown
Pedro Almodóvar
Carmen Maura, Antonio Banderas
Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.
Women on the Verge of a Nervous Breakdown
La vaquilla
Luis García Berlanga
Alfredo Landa, Guillermo Montesinos
During the Spanish Civil War a platoon of mismatched Republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the local holiday of the nearby village. In addition to ruining the Nationalist faction's celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the process and have to go through a series of funny and pathetic incidents before they can get back to their side.
The Heifer
Amanece, que no es poco
José Luis Cuerda
José Sazatornil, Carmen de Lirio
Theodore, a young Spanish engineer who works as a professor at the University of Oklahoma, returned to Spain to enjoy a sabbatical year. Upon arrival, he discovers that his father killed his mother and, to compensate for the loss, he bought a motorcycle with sidecar to travel together. Father and son arrive in a remote mountain village seems empty, what happens is that all residents are in church every day, because the Mass is a true spectacle. Jimmy and Theodore are discovering the peculiarities of the people, attend the elections held each year to appoint mayor, priest, teacher... In addition, the town has come a group of students at the American University of Eaton, a Belgian meteorologists, a dissident group of the Russian Army Choir, invading people's hidden above ...
Dawn Breaks, Which Is No Small Thing
The Cuenca Crime
Pilar Miró
Amparo Soler Leal, Héctor Alterio
Osa de la Vega, Cuenca, Spain, 1913. Gregorio and León, employees on the estate of the village's mayor, a powerful landowner, are arrested and accused of the murder of José María el Cepa, a shepherd who mysteriously disappeared three years earlier.
The Crime of Cuenca
La fuga de Segovia
Imanol Uribe
Xabier Elorriaga, Mario Pardo
In the summer of 1977, a political prisoner, living in exile, recounts the circumstances of his escape to a journalist: in April 76, a group of ETA members planned to escape from prison, but the project fails when, due to a tip-off, the guards discover the tunnel they are digging. The inmates, far from being discouraged, start a second tunnel.
Escape From Segovia
Jalea real
Carles Mira
Mario Pardo, Berta Riaza
Once upon a time there was an empire on which the sun never set. This empire had a court. That court had a king, but the king had no heir. The king, who understood that the coupling is the duty of state, gets married and he tries to have a child with exemplary dedication, but he didn't achieve his goal. The whole court, from the nobility to the clowns, gets down to work, sparing no means or methods to achieve the desired heir.
Royal Jelly
La corte de Faraón
José Luis García Sánchez
Ana Belén, Antonio Banderas
In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on
The Court of the Pharaoh
Los zancos
Carlos Saura
Fernando Fernán Gómez, Laura del Sol
After the death of his wife, Angel, a university professor and writer, he falls into a severe depression. He flees to his house in the country, but there the evil is accentuated, which leads him to an attempted suicide that Teresa, his young neighbor, saves him. Angel starts a relationship with her and her partner, Alberto. Soon he falls in love with Teresa and, through a passionate relationship, he frees himself from his torments. Teresa, Alberto and her theater group on stilts ask her to write a play to represent her in the town. Obsessed by Teresa, she is vivified with this experience with the young, but she soon moves away from him carnally. This rupture desperate and as Teresa disabuses him of any possibility of continuity, in the mind of Angel reappears suicide as the only solution
Los zancos
La vida alegre
Fernando Colomo
Antonio Resines, Verónica Forqué
Ana starts working as a Doctor in the S.T.I.U. (sexual transmission illnesses unit) at a Hospital. She begins meeting a lot of strange and bizarre characters there, while her jealous husband has to deal with it...
La vida alegre
Regresa el Cepa
Víctor Matellano
Guillermo Montesinos, África Gozalbes
Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.
El Cepa Returns
