
Philippe Léotard
1940 - 2001He was born in Nice , one of seven children - four girls, then three boys, of which he was the oldest - and was the brother of politician François Léotard. His childhood was normal except for an illness (rheumatic fever) which struck him and forced him to spend days in bed during which time he read a great many books. He was particularly fond of the poets - Baudelaire, Rimbaud, Lautréamont, Blaise Cendrars. He met Ariane Mnouchkine at the Sorbonne and in 1964 they formed the théâtre du soleil.
He played Philippe, the tormented son of a women with terminal illness, in the 1974 drama film La Gueule ouverte, by the controversial director Maurice Pialat. He won a César Award for Best Actor for his role in the 1982 movie La Balance.
One of his few English-language roles was a cameo in the 1973 thriller The Day of the Jackal and he co-starred as "Jacques" in the 1975 John Frankenheimer movie French Connection II which starred Gene Hackman and Fernando Rey, (sequel to The French Connection).
Léotard died in 2001 of respiratory failure in Paris at the age of 60. He was interred at the Père Lachaise Cemetery in Paris.
Description above from the Wikipedia article Philippe Léotard, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Les Miserables
Claude Lelouch
Jean-Paul Belmondo, Michel Boujenah
In France during World War II, a poor and illiterate man, Henri Fortin (Jean-Paul Belmondo), is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.
Les Miserables
Kamouraska
Claude Jutra
Geneviève Bujold, Richard Jordan
A writer, Kamouraska is based on a real nineteenth-century love-triangle in rural Québec. It paints a poetic and terrifying tableau of the life of Elisabeth d'Aulnières: her marriage to Antoine Tassy, squire of Kamouraska; his violent murder; and her passion for George Nelson, an American doctor. Passionate and evocative, Kamouraska is the timeless story of one woman's destructive commitment to an ideal love.
Kamouraska
Bed and Board
François Truffaut
Jean-Pierre Léaud, Claude Jade
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Bed and Board
So Long, Stooge
Claude Berri
Coluche, Agnès Soral
In Paris XVIIIth district, Lambert works the night shift at a gas station, rarely speaking, living alone, drinking. One day comes a half-jewish half-arab small-time crook in dire straits, pushing a Moped. Named Bensoussan, he takes refuge at the station pretending he needs a spark plug. The two men become friends.
So Long, Stooge
Max and the Junkmen
Claude Sautet
Michel Piccoli, Romy Schneider
Max is a Paris detective, aloof, independently wealthy, and frustrated by gangs of robbers whom he cannot catch. To re-establish his stature and save face, he decides to inveigle a group of petty thieves (led by an old acquaintance) to rob a bank. A reluctant captain provides Max intelligence and Max starts spending evenings with Lilly, a prostitute who's the girlfriend of the group's leader. He poses as a rich banker with money to burn and encourages Lilly to think about her future. He hints at a payroll that comes through his bank. The plot works, the petty thieves think they're ready for a big score, and the cops are in place. What could go wrong with Max's cold plan? Who's entrapped?
Max and the Junkmen
The South
Fernando E. Solanas
Miguel Ángel Solá, Philippe Léotard
After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.
The South
The Mouth Agape
Maurice Pialat
Nathalie Baye, Hubert Deschamps
Monique is dying of cancer, lying in bed in the apartment above the store her family owns. Her philandering husband carries on with life, her son remains aloof, and her daughter-in-law wonders if she is witnessing her own decline. They all struggle to express, or feel, their love for one another.
The Mouth Agape
Le Juge Fayard dit le shériff
Yves Boisset
Patrick Dewaere, Aurore Clément
Jean-Marie Fayard is a young examining magistrate in a large provincial french city. He belongs to that generation of judges who are endeavoring to re-adapt the notion of justice to our changing times. His methods are not agreeable to every one. Criticism and pressure are brought to bear upon him but he is aware of his value, professionally, and refuses to make any concessions. He follows an unwavering course. He uses dynamic methods and takes uncustomary initiatives. He behaves like a crusader, a battler, whence the nickname given him by the reporters : the sheriff.
Judge Fayard Called the Sheriff
Two English Girls
François Truffaut
Jean-Pierre Léaud, Kika Markham
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at the house where she lives with her mother and her sister Muriel, for whom she intends Claude. During these holidays, Claude, Ann and Muriel become very close and he gradually falls in love with Muriel. But both families lay down a one-year-long separation without any contact before agreeing to the marriage. So Claude goes back to Paris when he has many love affairs before sending Muriel a break-off letter...
Two English Girls
Jane B. by Agnès V.
Agnès Varda
Jane Birkin, Jean-Pierre Léaud
The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend the actor Jane Birkin. Made over the course of a year and motivated by Birkin’s fortieth birthday—a milestone she admits to some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.
Jane B. by Agnès V.
Le Milieu du monde
Alain Tanner
Olimpia Carlisi, Philippe Léotard
Paul is married, a successful engineer, and a conservative candidate in an upcoming local election. He falls in love with Adriana, a café waitress from Italy. Paul's party is very critical of foreign labour and wants to keep Switzerland to the Swiss. Where Paul falls deeper and deeper into the relationship and is ready to leave his wife, Adriana feels the social pressure growing and has to make her own decision.
The Middle of the World