Susi Stach
1961 (65 лет)Coming of Age
Sabine Hiebler, Gerhard Ertl
Christine Ostermayer, Karl Merkatz
Does luck have a use by date? Both thought that at eighty they have experienced everything until, like a bolt of lightening, Rosa and Bruno come together and immediately fall head over heels. There are two obstacles to their happiness though: Bruno’s marriage, which has long been routine, and Rosa’s illness; she has cancer and not long left to live. Despite the difficult circumstances, the two decide to breakaway – Bruno from his relationship and Rosa from her retirement home. Against the advice of carers, doctors and relatives, the pair moves into a new apartment together. ANFANG 80 shows with a great deal of unequivocal humour how insensitively and sometimes desperately overburdened society reacts to love among the elderly.
Coming of Age
Woman in Gold
Simon Curtis
Хелен Миррен, Райан Рейнольдс
Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover a world famous painting of her aunt plundered by the Nazis during World War II, she believes rightfully belongs to her family. She did so not just to regain what was rightfully hers, but also to obtain some measure of justice for the death, destruction, and massive art theft perpetrated by the Nazis.
Woman in Gold
Der vierte Mann
Erhard Riedlsperger
Melanie Marschke, Stefan Jürgens
A kidnapped musician and his missing violin are the prelude to a series of murders whose victims were deeply involved in business connections between the GDR and Austria. The investigators of SOKO Vienna and Leipzig are working together.
Der vierte Mann
Murer: Anatomy of a Trial
Christian Frosch
Karl Markovics, Karl Fischer
Franz Murer, the Butcher of Vilnius, a former Austrian SS officer, established, organized, and ruled the Vilnius ghetto in Lithuania during the World War II. Different survivors of the Shoah testify when he is judged in 1963, hoping to do justice, but, although the evidence is overwhelming, the desire to close this obscure chapter of history seems to surpass the desire for justice.
Murer: Anatomy of a Trial
Falco: Damn It, We're Still Alive!
Thomas Roth
Manuel Rubey, Patricia Aulitzky
Deals with the life, work, and tragic death of Johann "Falco" Hölzel. The biopic portrays his work through his early days, as member of the Viennese band "Drahdiwaberl", and later with his own hits as solo artist, like "Der Kommissar", "Wiener Blut", and his worldwide smash-hit "Rock Me Amadeus".
Falco: Damn It, We're Still Alive!
Beautiful Girl
Dominik Hartl
Jana McKinnon, Marlon Boess
Fifteen-year-old Charlotte thinks her parents' relationship is perfect. It's all the more surprising for her when they get separated. Her parents' separation is her first lesson in life on how painful love can be. Charlotte has to move and go to a new school. Here she meets two boys, Sulzer and Carlo, who are best friends. While Sulzer is a shallow lady's man adored by girls, Carlo is his exact opposite. Their fateful meeting makes three inseparable friends out of them. But the question remains if love isn't hiding in the friendship of this trio...
Beautiful Girl
Deine Schönheit ist nichts wert
Hüseyin Tabak
Abdulkadir Tuncer, Nazmi Kırık
The twelve-year old immigrant Veysel and his family have a hard time to become integrated into Austrian life. They have more and more inner family-oriented problems. Veysel's neighbour Cem teaches him how to pronounce a poem in German for school. At the time when Veysel wants to take the courage to recite it to his secret love Ana, the immigration police disrupts his plans
Your Beauty Is Worth Nothing
Rotzbub
Santiago Lopez Jover, Marcus H. Rosenmüller
Erwin Steinhauer, Markus Freistätter
1960's Siegheilkirchen, a small town in the Austrian hinterland is steeped in reactionary and ultra-Catholic attitudes. The son of a hard-working innkeeper and his wife, called Snotty Boy by all and sundry, is at odds with the narrow-minded confines of his home town. But his unstoppable talent for drawing gives him an outlet for his discontent.
Snotty Boy
Fräulein Phyllis
Clemens Schönborn
Sophie Rois, Bernhard Schütz
'Clemence M. Schönborn"s first feature film is a typical Austrian black comedy, dealing with an easy-going forty-something, who likes playing games with others, which has serious consequences... Phyllis, in her early 40s, still lives together with her mother, whom she loves and hates at the same time. When she gets to know Henry, supporting actor of a soap opera, she pretends to love him, but sleeps with the show's lead actor Walter, whom she finally runs over with her car, which makes Henry the show's new star - and the new lover of the lead actress Doris. However, Phyllis isn't done with him...
Fräulein Phyllis
Chucks
Sabine Hiebler, Gerhard Ertl
Anna Posch, Markus Subramaniam
Mae quit school and ran away from home. After her brother’s death her family is broken. Only his red shoes (Chucks) remain. Mae has to start working in a social institution where she meets Paul. He is funny, sensitive, takes Mae as she is - and he is terminally ill. In a book named Chucks Mae writes down her own story about growing up between life and death: wild, tender and absolutely honest.
Chucks
