José Marco Davó
1895 - 1974His first contact with the world of cinema occurred in the mid-1930s with two supporting roles in adaptations of Carlos Arniches' works for the cinema: É My Man (1934), directed by Benito Perojo, and Don Quintin, la amargao (1935) , directed by Luis Buñuel and Luis Marquina.
After the conclusion of the Civil War and throughout the 1940s, focused on his theatrical vocation, he founded his own company and worked with Rafael López Somoza and Carlos Garriga, with whom he debuted works of his own and other writings in collaboration with Luis Tejedor and José Alfayate.
He returns to the cinema with the film Alba of America (1951), followed by La Guerra de Dios (1953) and El Mayor de Zalamea (1954). In 1955 he participated in Marcelino Pão e Vinho and, during the next fifteen years, he became a habitual secondary actor in Spanish cinematographic productions, until reaching a hundred films.
From Wikipedia (es), the free encyclopedia
Mi tío Jacinto
Ladislao Vajda
Pablito Calvo, Antonio Vico
Jacinto, a former bullfighter who lives miserably with his nephew Pepote, receives a letter reminding he, as agreed a few days before, he should go to a bullfight to be held that evening at Las Ventas. The letter infuriates Jacinto who thinks this is a joke, since he retired from the arena for years, has not signed any contract. When Jacinto is located around the square, picking up cigarette butts that pull the audience, make sure the letter was not a joke, because his name appears on the poster.
My Uncle Jacinto
Marcelino pan y vino
Ladislao Vajda
Pablito Calvo, Rafael Rivelles
Left on the doorstep of a monastery as an infant, Marcelino was raised by the monks. He was well-cared for but lonely and missed having a mother. One day he found a special friend in the forbidden attic, hanging on a cross. A friend that would repay Marcelino's kindness by granting him one heart-felt wish.
The Miracle of Marcelino
El inquilino
José Antonio Nieves Conde
María Rosa Salgado, José Marco Davó
One unlucky day, a married couple with four children get an eviction notice: the building they live in is to be demolished. The family looks desperately for a new home, which is no easy task in Madrid in the fifties.
The Tenant
Camarote de lujo
Rafael Gil
Antonio Casal, María Mahor
Aurelio leaves his village and goes to the capital to work with a relative in an emigration shipping company. He soon discovers that his relative earns a bonus extorting migrants who sell tickets. But Aurelio is an honest, sensible man who cannot allow such injustice, and he gets fired. Without telling his parents or girlfriend anything about what happened, he decides to stow away on a boat to America.
Luxury cabin
La venganza
Juan Antonio Bardem
Raf Vallone, Jorge Mistral
After spending ten years in prison for a crime he did not commit, John is free. He is determined to kill Luis "The Twisted", which believes that is the blame for his misfortunes, but as he needs money, he has no choice than to work for their enemy.
Vengeance
A hierro muere
Manuel Mur Oti
Olga Zubarry, Alberto de Mendoza
A former singer lives alone with her fortune - and with her nephew, Fernando, a low character to whom she refuses to lend more money. Elisa leaves prison and starts a new life as a personal attendant to the aging singer, using her knowledge as a former nurse - a profession she can not return to. Fernando meets Elisa, and together they plan to poison the lonely woman, and use her money abroad. They plan their alibis well. But those who kill by the sword will perish by the sword.
Kill and Be Killed
¡Viva lo imposible!
Rafael Gil
Paquita Rico, Manolo Morán
Tired of the hardship imposed by his modest salary, Don Sabino selling their meager belongings and convinces his sons to join him in the adventure of know other cities, other people and another way of living.
¡Viva lo imposible!
Thunderstorm
John Guillermin
Carlos Thompson, Linda Christian
A luminously beautiful, provocative young woman is rescued near a small fishing village on the Spanish coast. The scene is set for a drama of dangerous passion that threatens to tear apart the simple, tranquil life of the village forever.
Thunderstorm
De espaldas a la puerta
José María Forqué
Emma Penella, Amelia Bence
One of the staff girls at The Golden Mousetrap, a city nightclub, has been stabbed and is barely alive; a doctor is examining her in a dressing room. Inspector Simón leads the investigation supported by the night shift inspector Arévalo. The club management asks that nobody leave the place, since everyone there must cooperate with the police and being interrogated.
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