Iván Zulueta

Arrebatados. Recordando a Iván Zulueta

Pedro González Bermúdez

Pedro Almodóvar, José Luis Borau

A portrait of the film director Iván Zulueta and his film Arrebato. It features contributions from friends and people who worked with him such as José Luis Borau, Pedro Almodóvar, Antonio Gasset and Julio Médem.

Mi ego está en Babia

Iván Zulueta

Will More, Max Madera

Will More arrives by boat to a "genuine Mediterranean island" and is welcome by "thousands of Chinese girls" who take him to their place and tell him a story about his "ego", which he must immediately look for. Thus he gets to a "wonderful palace", where he meets a hermaphrodite odalisque who materializes the image of his other self and offers him a new and even more fantastic story.

Iván Z

Andrés Duque

Iván Zulueta

An investigative documentary about Basque filmmaker and artist Iván Zulueta. Caught up in heroin addiction and many personal problems, Zulueta vanished from the scene. This film focuses on the lost and wasted years of the director.

Kunstkammer

Carlos Escolano

Will More, Iván Zulueta

A MAL GAM A

Iván Zulueta

Iván Zulueta

With 'A MAL GAM A' Zulueta brings the lyrical film into the territory of mystico-psychedelia. The cinema as drug, as vehicle for rapture—as will later be seen in Arrebato—is a theme of this most autobiographical of Zulueta’s experimental films (which could also be seen as a documentary of an agoraphobic mode of artistic production), the protagonist is played by the filmmaker himself (“Jim Self” is the trans-linguistic homophone that appears in the credits) and shot mostly in the family villa in San Sebastián.

Ágata

Iván Zulueta

María Trillo, Luis González Páramo

The abusive professional relationship between Luis, an intransigent painter, and Ágata, his traumatized model, takes an unexpected turn when she finds a mysterious self-portrait of him…

Rapture

Iván Zulueta

Eusebio Poncela, Cecilia Roth

José Sirgado is a low-budget filmmaker whose heroin addiction distorts his perspective of the real world. Although he is a depressed and unstable individual, his mood improves when he receives the mysterious films of Pedro, with whom he shares his passion for cinema.

Párpados

Iván Zulueta

Párpados (the literal translation, “Eyelids”, misses the homophonic “par pa’ dos,” or “a couple for two”) is a 1989 television episode with an intricate script involving a delirious array of doubles, mirrors and word-play revolving around the central theme of amorous obsession.

Un, dos, tres, al escondite inglés

Iván Zulueta

José Luis Borau, Antonio Drove

A band of young musicians will do the impossible to boycott a song they didn't like at all, and that's supposed to represent Spain in a famous musical contest. An unusual film by the odd Zulueta in which, after the success of Spanish singer Massiel in Eurovision contest, this kind of contests are parodied with an insane story shot without a script and with the performance of several top music bands of that time.

Leo es Pardo

Iván Zulueta

Maribel Ferrero

A beautiful girl has an intense trip during which she transforms.

Roma-Brescia-Cannes

Iván Zulueta

Roma-Brescia-Cannes, made in 1974, could be called a lyrical home movie. P. Adams Sitney defines the lyrical film as one that “postulates the film-maker behind the camera as the first-person protagonist of the film. The images of the film are what he sees filmed in such a way that we never forget his presence and we know how he is reacting to his vision”. —Senses of Cinema

Frank Stein

Iván Zulueta

Filmed before his feature-length Arrebato, Zulueta’s Frank Stein is a personal reading of horror cult classic Frankenstein (1931), filmed directly from its television broadcast and reducing Whale’s original to only three packed and dizzying minutes, during which the film's sensitive monster evolves at an unusual rate.

Ida y vuelta

Iván Zulueta

Mercedes Juste, Pepe Ruiz

Elena, a shy and unmarried girl, belonging to the upper middle class and somewhat marginalized from the general environment, embarks on a trip to the family farmhouse one morning, and when she returns to the city that same day, at night, she is forced to take a strange woman in her car.

Aquarium

Iván Zulueta

Will More

The 1975 Super-8 short Aquarium is Zulueta’s first available incursion into the psychodrama—in which the filmmaker dramatises a disturbed state of consciousness—in which appear lyrical passages of the kind that will be made by the fictional experimental filmmaker played by Will More in Zulueta’s 1980 feature Arrebato. (Senses of Cinema)

Get Back

Iván Zulueta

A pop-art video of The Beatles’ “Get Back” made especially for Spain’s TV shot Último Grito in 1969. Iván Zulueta’s first attempts to get his colourful ideas on film and a clear nod to what would become his first feature film, “Un, dos, tres… al escondite inglés.”

Kinkón

Iván Zulueta

King Kong, Fay Wray

Kinkón (1971), a silent adaptation of Merian C. Cooper and Ernest B. Schoedsack’s 1933 classic, King Kong. Zulueta re-filmed a television broadcast of the original, and through creative subtraction and manipulation of camera speed, condensed the original’s feature length to an intensified seven minutes. The cathode-ray flicker and flattening that results from the re-filming defamiliarises the original, but its classical continuity mode of address continues to operate on the viewer, and the increase in velocity makes mesmerisingly urgent the dramatic plot of the original. —Senses of Cinema