Fernando Trueba
1955 (69 лет)He won the second Foreign Film Academy Award for Spain in 1993 with 'Belle Epoque'.
Film, the Living Record of our Memory
Inés Toharia Terán
Ann Adachi-Tasch, Margaret Bodde
Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.
Film, the Living Record of Our Memory
El último truco
Sigfrid Monleón
Ginette Angosse, Eugenio Caballero
Documentary film about visual effects master Emilio Ruiz del Rio. From his early works on films at 1942, to his last contribution at 2007, Emilio Ruiz talks on his film experiences and traditional trickery, using foreground miniatures, glass shots, and painted cut out miniatures. It shows interviews with some of the professionals he has worked with, like, Rafaela de Laurentiis, Ray Harryhausen, Guillermo del Toro, or Enzo Castellari
El último truco
Chico & Rita
Fernando Trueba, Tono Errando
Mario Guerra, Limara Meneses
Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey - in the tradition of the Latin ballad, the bolero - brings heartache and torment.
Chico & Rita
Forgotten We’ll Be
Fernando Trueba
Javier Cámara, Daniela Abad Lombana
In the polarized and violent Medellín (Colombia's 'City of Eternal Spring') of the 1970s, doctor Héctor Abad Gómez is concerned about both his children and children from less favored classes. After a devastating loss in the family, Héctor gives himself to the greater cause of public health programs for the poor in Medellín to the consternation of the city's authorities.
Memories of My Father
Historias de nuestro cine
Ana Pérez-Lorente, Antonio Resines
Antonio Resines, Luis Alegre
In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.
Stories of Our Cinema
Belle Époque
Fernando Trueba
Penélope Cruz, Jorge Sanz
In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.
Belle Époque
Lumière et Compagnie
Gabriel Axel, Spike Lee
Jeffe Alperi, Romane Bohringer
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
Lumière and Company
El año de las luces
Fernando Trueba
Jorge Sanz, Verónica Forqué
April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.
Year of Enlightment
Torrente, the Dumb Arm of the Law
Santiago Segura
Santiago Segura, Javier Cámara
Torrente, The Stupid Arm of The Law by Santiago Segura stars Javier Cámara as a corrupt, poor, delusional, sexist, egocentric, drunk and right-winged Madrid cop named Torrente. This over the top comedy shows Torrente on his search for heroin drug dealers and the outrageous characters he passes on his way. A cult film and one of the funniest Spanish films was the most successful box-office film.
Torrente, the Dumb Arm of the Law
The Artist and the Model
Fernando Trueba
Jean Rochefort, Aida Folch
The story of a famous old sculptor, weary of life and the folly of men, who finds, thanks to the arrival of a Spanish girl escaped from a refugee camp, the desire to return to work and sculpt your final work in occupied France in 1943. Model and artist, as they work, speak with simplicity and closeness to everything around them: The life and death, the injustice of the war, youth and old age, the search for beauty in times of horror, the sense and the need for art ...
The Artist and the Model
