
Cristina Sánchez Pascual
1959 (66 лет)Paco l'infaillible
Didier Haudepin
Alfredo Landa, Patrick Dewaere
In Madrid of the 20's, many women were hired as wet nurses for middle class families. Milk is paid very well, so women are turning to the honest services of Paco, glazier by trade, which completes his monthly salary getting pregnant the clients who pay for it.
Paco the Infallible
Cuentos eróticos
Jesús García de Dueñas, Alfonso Ungría
Joaquín Hinojosa, Cristina Sánchez Pascual
A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.
Erotic Stories
Scarab
Steven-Charles Jaffe
Rip Torn, Robert Ginty
Dr. Wilfred Manz performs a magical experiment on a beetle-shaped amulet. His patience exhausted, he smashes his fist into some bottles and a few drops of blood fall onto the scarab. His laboratory is rocked by an explosion, the god Khepera appears and Manz is transformed into a demi-god magician. Thirty years later, Manz has assumed the name Khepera and lives in mysterious castle. Using his magical powers, he is killing heads of government and causing the collapse of major financial institutions. Jack Murphy, an American correspondent, witnesses the pandemonium following the suicide of the Spanish prime minister and notices an attractive nurse, Elena, take a small scarab which has fallen from the prime minister's lapel. Later, he visits an occult shop where the scarab is identified as being associated with the Egyptian god, Khepera. Murphy is captured and Elena — who was tricked into sacrificing her brother when they were children — once more takes up the sacrificial dagger...
Scarab
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Rafael Moreno Alba
José María Caffarel, Gisela Callejón
Ana, abandoned by her husband, who confessed her having fallen in love with another woman, tries to restructure her life with another man, Andrés, but thinking of not getting married yet. They decide that they'll experience their relationship with full freedom of feelings, until their love lasts. Andrés is often emotionally ignorant but believes he's doing things well, cursed by the old ways he's been educated into. Ana herself is not even ready for anything new in her life, yet discontented with her new situation. The problems between the couple are not just financial, but more subtle, and inevitably disenchantment appears.
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