Patrice Leconte
1947 (76 лет)Description above from the Wikipedia article Patrice Leconte, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Monsieur Hire
Patrice Leconte
Michel Blanc, Sandrine Bonnaire
A French man spies on a lovely younger woman across the way. When he's spotted by the woman shortly after being questioned by the police about a local murder, the man's simple life becomes more complicated.
Monsieur Hire
The Girl on the Bridge
Patrice Leconte
Vanessa Paradis, Daniel Auteuil
It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.
The Girl on the Bridge
French Fried Vacation 2
Patrice Leconte
Thierry Lhermitte, Marie-Anne Chazel
In this sequel to Les Bronzes (1978) summer has passed, but that doesn't mean the fun has to end for Bernard, Nathalie, Gigi, Jerome, Popeye, Jean-Claude, and Christiane.
French Fried Vacation 2: The Bronzés go Skiing
Man on the Train
Patrice Leconte
Jean Rochefort, Johnny Hallyday
A man, Milan (played by Johnny Hallyday) steps off a train, into a small French village. As he waits for the day when he will rob the town bank, he runs into an old retired poetry teacher named M. Manesquier (Jean Rochefort). The two men strike up a strange friendship and explore the road not taken, each wanting to live the other's life.
Man on the Train
The Hairdresser's Husband
Patrice Leconte
Jean Rochefort, Anna Galiena
The film begins with a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. We are unsure what Antoine has done with his life, however, we know he has fulfilled his childhood ambition, to marry a hairdresser.
The Hairdresser's Husband
La veuve de Saint-Pierre
Patrice Leconte
Daniel Auteuil, Emir Kusturica
In 1850, on the isolated French island of Saint-Pierre, a murder shocks the natives. Two fishermen are arrested. One of them, Louis Ollivier, dies in custody. The other, Neel Auguste, is sentenced to death by the guillotine. The island is so small that it has neither a guillotine nor an executioner. While those are sent for Auguste is placed under the supervision of an army Captain.
The Widow of Saint-Pierre
Tandem
Patrice Leconte
Jean Rochefort, Gérard Jugnot
Michel Mortez travels around France hosting a radio game show he created 25 years ago. He is famous among the average Frenchmen. Rivetot, his assistant and technician, always goes with him. He is the only one who knows what really lies under Mortez's appearance of a playful don Juan. When the program is canceled, Rivetot delays telling Mortez as long as possible... Both malicious and tender, this bitter comedy also shows nostalgia.
Tandem
Lumière et Compagnie
Gabriel Axel, Spike Lee
Jeffe Alperi, Romane Bohringer
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
Lumière and Company
Intimate Strangers
Patrice Leconte
Sandrine Bonnaire, Fabrice Luchini
Because she picked the wrong door, Anna ends up confessing her marriage problems to a financial adviser named William Faber. Touched by her distress, somewhat excited as well, Faber does not have the courage to tell her that he is not a psychiatrist. From appointment to appointment, a strange ritual is created between them. William is moved and fascinated to hear the secrets no man ever heard.
Intimate Strangers
La La La
Éric Bitoun
Damien Chazelle, Michel Legrand
When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.
La La La
