Claude Autant-Lara
1901 - 2000Born at Luzarches in Val-d'Oise, Autant-Lara was educated in France and at London's Mill Hill School during his mother's exile as a pacifist. Early in his career, he worked as an art director and costume designer, his best-known work in this vein was possibly for Nana (1926), a silent film directed by Jean Renoir. Autant-Lara also acted in the film.
As a director, he frequently created provocative movies, saying "if a film does not have venom, it is worthless". In the 1960s, he turned his back on the New Wave movement, and from then on he had no popular successes.
On 18 June 1989, he came to public notice again, controversially, when he was elected to the European Parliament as a member of the National Front and the oldest member of the assembly. In his maiden speech, in July 1989, he caused a scandal by expressing his "concerns about the American cultural threat", provoking a walkout by the majority of the deputies.
In an interview granted to the monthly magazine Globe in September 1989, he accused ex-President of the European Parliament and Holocaust survivor Simone Veil of playing "ethnic politics" to try and "infiltrate and dominate", saying that "If they try to speak to me about genocide, I say they missed mother Veil!" He also described Nazi gas chambers as a "string of lies". The resulting scandal led to his resignation as European deputy. Moreover, the members of the Académie des Beaux-Arts, of which he was a vice-president for life, voted to prohibit him from taking his seat thenceforth.
His memoir, The Rage in the Heart, appeared in 1984. He died at Antibes in Alpes-Maritimes in 2000.
From Wikipedia, the free encyclopedia
Thou Shalt Not Kill
Claude Autant-Lara
Laurent Terzieff, Horst Frank
At the end of World War II, a French pacifist is arrested for refusing to fight. In prison, he befriends a German priest arrested for murder of a French Resistance fighter. They discuss morality, obedience, and religion.
Thou Shalt Not Kill
Io sono Anna Magnani
Chris Vermorcken
Anna Magnani, Claude Autant-Lara
Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.
My Name Is Anna Magnani
L'Auberge rouge
Claude Autant-Lara
Fernandel, Françoise Rosay
A group of travelers, including a monk, stay in a lonely inn in the mountains. The host confesses the monk his habit of serving poisoned soup to the guests, to rob their possessions and to bury them in the backyard.
The Red Inn
Douce
Claude Autant-Lara
Jean Debucourt, Roger Pigaut
In Paris in 1887, Irène works as a governess to Douce, the grand-daughter of the dowager Countess de Bonafé. Douce believes she is in love with Fabien, the handsome manager of the estate. However she cannot hope to marry him because of their class difference. Douce's widowed father, the Count de Bonafé, has a wooden leg, and is infatuated with Irène. Douce discovers that Fabien is planning to flee to Quebec with Irène, and also finds out that the Count has asked Irène to marry him. So Douce tells Fabien this and convinces him to run away with her, causing consternation in the family.
Douce
Le diable au corps
Claude Autant-Lara
Micheline Presle, Gérard Philipe
In France during World War I, Marthe waits for her husband, Jacques, while he fights on the front lines. Marthe then begins a tempestuous affair with 17-year-old François, with whom she had a dalliance before marrying Jacques. Jealous François struggles with the fact that Marthe is married, while she tries to prove her devotion to her young, hotheaded lover. Things become even more complex when Marthe becomes pregnant with Jacques' baby.
Devil in the Flesh
Sylvie et le fantôme
Claude Autant-Lara
Odette Joyeux, François Périer
A teenager becomes fixated on a painting of the handsome suitor who died in a duel for her grandmother's love. On her sixteenth birthday, her father hires three men who pretend to be the ghost of the suitor to entertain her. Little do they know, the ghost of the suitor himself is roaming the castle halls.
Sylvia and the Ghost
L'Homme du large
Marcel L'Herbier
Jaque Catelain, Roger Karl
Nolff, a tough Breton fisherman is happy: his wife has just given birth to a son, Michel. His only wish is to make him a fisherman like him. But when he becomes a man, Michel becomes a good-for-nothing who spends his time in taverns.
The Man of the Sea
Le Rouge et le Noir
Claude Autant-Lara
Gérard Philipe, Danielle Darrieux
It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post-Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control.
Le Rouge et le Noir
Occupe-toi d'Amélie !
Claude Autant-Lara
Danielle Darrieux, Jean Desailly
Young Amélie is currently enjoying life as the kept woman of her reasonably well off boyfriend Étienne. But when Étienne is called off for military duty, he enlists his playboy friend Marcel to keep an eye on her....something of a problem seeing that he is currently looking for a woman with which to create a sham marriage so he can quickly inherit a large sum of money from his father. Then suddenly the Prince of Palestra enters into the picture and boldly asks for Étienne's romantic favors to assess whether or not he would consider taking her as his bride. What's a free-spirited girl to do?
Keep an Eye on Amelia
Le Franciscain de Bourges
Claude Autant-Lara
Hardy Krüger, Jean Desailly
Albert is a Franciscan monk and a medical orderly at a monastery in France. Although he is German, the kindly monk helps hide French resistance members. Albert tries to maintain the delicate balance between the warring factions by helping out the afflicted and not getting involved in political ideology.
Le Franciscain de Bourges
Fait-Divers
Claude Autant-Lara
Madame Lara, Antonin Artaud
An experimental short from 1923 France which offers silent narrative in diverse, optical multi-exposures and severe close-ups offering dense montages which create psychological constructs that unfold a Parisian love affair which turns into a threesome of great emotion and consequences. Also notable for using Antonin Artaud as the male lead.
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