Lucía Bosè
1931 - 2020Her career flourished until 1955, when she fell in love with Spanish bullfighter Luis Miguel Dominguín during the filming of Muerte de un ciclista, and gave up acting to marry and raise a family. The couple married twice, first on 1 March 1955 in Las Vegas and then on 19 October of that year, in a Catholic ceremony at the family estate or finca. Dominguín returned to the bullfighting arena abroad, and their first child, Miguel Bosé, was born in Panama on 3 April 1956. Their second child, Lucia, was born in 1957 and their third, Paola, was born in 1960. Lucia and her husband were married until 1968, but their differences were accentuated over time, especially her lack of interest in bullfighting. She never became close to the "Dominguín" clan, and his marital infidelities also took their toll.
In 1960, she took a small uncredited role in Jean Cocteau's film Le testament d'Orphée, ou ne me demandez pas pourquoi!. Then, after divorcing Dominguin, she returned full-time to the screen, appearing in Fellini's Fellini Satyricon (1969) and starring in the Taviani Brothers' Under the Sign of Scorpio (1969), Mario Colucci's Something Creeping in The Dark (1971), Liliana Cavani's L'ospite (1972), Giulio Questi's Arcana (1972), Marguerite Duras' Nathalie Granger (1972), Beni Montresor's La messe dorée (1975), Jeanne Moreau's Lumière (1976) and Daniel Schmid's Violanta (1976). She continued to be active in both Italian and Spanish films, appearing in Francesco Rosi's Cronaca di una morte annunciata (1987), Agustí Villaronga's El niño de la luna (1989), Ferzan Özpetek's Harem Suare (1999) and Roberto Faenza's I Viceré (2007).
Daniel Schmid - Le chat qui pense
Pascal Hofmann, Benny Jaberg
Daniel Schmid, Ingrid Caven
When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.
Daniel Schmid: Le Chat Qui Pense
Cronaca di un amore
Michelangelo Antonioni
Lucia Bosé, Massimo Girotti
Paola (Lucia Bose) is the beautiful and jealously-guarded younger wife of a shady factory owner, Enrico Fontana (Massimo Girotti). In order to investigate her romantic history he hires a private detective, which ironically brings Paola back into contact with former lover Guido, with whom she resurrects a lost passion. Dogged by the suspicions of their respective mates, they are drawn closer to each other in the face of adversity, and begin to plot Enrico's demise. But when the challenge of being together falls away, will the passion start to wane? A masterpiece of intensity and finely-wrought emotion.
Story of a Love Affair
Testament of Orpheus
Jean Cocteau
Jean Cocteau, Edouard Dermithe
Outside time and reality, the experiences of a poet. The judgement of the young poet by Heurtebise and the Princess, the Gypsies, the palace of Pallas Athena, the spear of the Goddess which pierces the poet's heart, the temptation of the Sphinx, the flight of Oedipus and the final Assumption. This film is the third part of Cocteau's Orphic Trilogy, which consists of The Blood of a Poet (1930), Orpheus (1950) and Testament of Orpheus (1960).
Testament of Orpheus
La signora senza camelie
Michelangelo Antonioni
Lucia Bosé, Andrea Checchi
By a twist of fate, the photogenic Milanese shop assistant, Clara Manni, gets the leading role in Italian movie producer Gianni Franchi's romantic drama, "Addio Signora", and becomes an overnight sensation in Rome.
The Lady Without Camelias
Metello
Mauro Bolognini
Massimo Ranieri, Ottavia Piccolo
The story of a young man of the working class, who has grown up practically an orphan due to his father’s repeated jailings for anarchistic activism. Struggling with life in 19th-century Italy, Metello Salani is determined to change his situation for the better - but love, marriage and politics complicate things considerably...
Metello
Gli sbandati
Francesco Maselli
Lucia Bosé, Isa Miranda
A group of rich young intellectuals hiding from the war in rural Italy play at being partisans when some disbanded soldiers and some refugees ask them for shelter in their villa. The young and aristocratic Andrea strikes up a friendship with a peasant girl, Lucia. Then the Germans suddenly appear, looking for the real partisans, and the time comes for serious decisions.
Abandoned
Non c'è pace tra gli ulivi
Giuseppe De Santis
Raf Vallone, Lucia Bosé
A young shepherd returns home after the Second World War having been held in a prisoner of war camp. He finds that the local landowner has stolen his sheep and his girlfriend. When he also assaults and murders his sister, the shepherd takes revenge.
Under the Olive Tree
Cela s'appelle l'aurore
Luis Buñuel
Georges Marchal, Lucia Bosé
In a small town in southern France, on the seafront and not far from Italy, Dr. Valerio is working to heal the poor. His young wife, could no longer stand the place, encouraged him to go and settle in Nice but the doctor does not want to leave before having found a replacement. Valerio was particularly friendly with Sandro, an agricultural worker who maintains the trees belonging to Gorzone, wealthy industrialist and major employer in the city. Sandro, disturbed by the serious illness of his wife, is struggling to fulfill its functions. During an absence of his wife, Dr. Valerio meets Clara, a young Italian, and falls for her. The drama erupts when Gorzone dismisses Sandro ...
That Is the Dawn
Fellini Satyricon
Federico Fellini
Martin Potter, Hiram Keller
After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.
Fellini Satyricon
Nathalie Granger
Marguerite Duras
Lucia Bosé, Jeanne Moreau
With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.
Nathalie Granger
