Angela Schanelec
1962 (62 года)
Die Familie oder Schroffenstein
Hans Neuenfels
Ulrich Wildgruber, Annemarie Düringer
The aristocratic families of Rossitz and Warwand, who are relatives, have started to treat each other with mistrust and hatred, since a testamentary contract has stated, that the complete goods will be inherited to the respective surviving line. At the same time the young generation is in love, how can the tender ties between Agnes of Warwand and Ottokar of Rossitz be protected? Killed by their own fathers, they lie in their blood. A radical drama about the term "family". (www.filmgalerie451.de)
The Family or Schroffenstein
Ich bin den Sommer über in Berlin geblieben
Angela Schanelec
Isabel Karajan, Tobias Lenel
Nadine is obsessed by a memory linked to a haunting tune she can no longer sing, until she hears someone else singing and everything falls back into place again. A melancholic observation of two young couples having difficulties trusting one another. They are full of skepticism and searching for a purpose in life.
I Stayed in Berlin All Summer
Der Tod des weißen Pferdes
Christian Ziewer
Thomas Anzenhofer, Angela Schanelec
This somewhat superficial historical drama is about the 1525 Peasants' War in Germany when the lower classes rebelled against oppressive conditions imposed by the clergy and nobility and then committed many acts (including atrocities) that did not morally set them far apart from the people they were fighting. It was a time of upheaval: Martin Luther (1483-1556) had broken away from the Catholic Church, calling for reform, and Anabaptists in Germany, like Thomas Munzer fought on the side of the peasants (opposed by Luther). This complex age and its political and religious turmoil are summed up in a story about an attack on a small monastery whose monks used a forged document to confiscate some land from the peasants. When their wrong-doing is revealed by the monk who forged the document in the first place, the peasants attack.
The Death of the White Stallion
Marseille
Angela Schanelec
Maren Eggert, Alexis Loret
Marseille describes an interlude in the life of young Berlin photographer Sophie. Wanting a change, Sophie does an apartment swap, so she can go photograph the city of Marseille, and most of all get away from Berlin.
Marseille
Dealer
Thomas Arslan
Tamer Yiğit, Birol Ünel
Can and his girlfriend, Jale, live with their young daughter, Meral, in a tough Turkish neighbourhood of Berlin and barely manage to scrape enough money together for their existence. Can is a small-time dealer and errand-boy for drug boss Hakan, who has to keep his customers supplied within his narrowly staked out territory. Jale, who works in the ware-house of a department store, has been pressing Can to give up this activity. Can, also fed up with his situation, sees a bright new beginning for himself and his family when Hakan offers him the prospective chance to run a bar on his very own. But Can has little control over the pressures that gradually begin to build up around him and soon finds himself floundering in quicksand.
Dealer
Nachmittag
Angela Schanelec
Jirka Zett, Miriam Horwitz
A family spends three summer days in a beautiful lake mansion close to Berlin. Together with her new lover, Irene visits her brother Alex, who still inhabits the house with Irene's writer son Konstantin. Konstantin's girl-friend pops in, too, and all of them drift away from each other more and more.
Afternoon
Das Glück meiner Schwester
Angela Schanelec
Anna Bolk, Wolfgang Michael
A young photographer has fallen in love with his girlfriend's sister. Nobody knows quite what to do. A stylish variation on the problems of triolism made with striking stability of style and a great feeling for mise-en-scène.
My Sister’s Good Fortune
Orly
Angela Schanelec
Josse De Pauw, Maren Eggert
At the Paris airport Orly, a woman falls for a stranger, a family heads to a funeral, a couple lose touch, a wife reads her husband’s break-up letter. All wait for their planes. Absorbed in their immediate fates, they move through the impeccably structured space, unaware of a looming threat outside.
Orly
The Bridges of Sarajevo
Marc Recha, Cristi Puiu
Bogdan Ninković, Feđa Stamenković
Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.
The Bridges of Sarajevo
Schöne gelbe Farbe
Angela Schanelec
Angela Schanelec
A story told in the off about the growing discomfort towards the new roommate Valentin. The camera pans through the empty room, over the shadows on the wall and the wallpaper, the yellow scarf and the postcard from Italy with the sunflowers
Lovely Yellow Color
Der traumhafte Weg
Angela Schanelec
Miriam Jakob, Thorbjörn Björnsson
Theres and Kenneth are both young when they first meet whilst on holiday. They fall in love but are unable to prevent themselves from losing each other. Thirty years later, in another country, another couple: Ariane leaves her husband David because she no longer loves him. The paths they both take lead them to Kenneth and Theres.
The Dreamed Path
