Ulrich Seidl

Krieg in Wien

Michael Glawogger, Ulrich Seidl

Karin Kienzer, Dagmar Schwarz

A film about news, life and death. Before the media became so prevalent, we were concerned about our immediate neighborhood. At the end of the day, news was the subject of our conversations, but now it's possible to converse with someone at the other end of the globe. We do it all the time. It's simple. The world has become one big neighborhood. Now Headline News has replaced the back fence. That's the news service of the eigthies. It's a new idea and a new approach.

Good News: Von Kolporteuren, toten Hunden und anderen Wienern

Ulrich Seidl

This documentary, Ulrich Seidl's full-length film debut, examines the lives of the street newspaper sellers in Vienna, a mixture of men from Turkey, India, Pakistan, Egypt and Eastern Europe, standing out in all weathers, peddling the trivial Viennese tabloids. We see their lives on the street, their cramped living quarters, their minders, the 'training' days, and the inhumane process which keeps them working endless hour for little reward.

Mit Verlust ist zu rechnen

Ulrich Seidl

Looks at two communities on either side of the Czech-Austrian border. There's an elderly man in Austria looking for a new wife, and he meets a lone single woman on the Czech side of the border.

Pictures at an Exhibition

Ulrich Seidl

René Rupnik

What does modern art mean for ordinary visitors to an exhibition?

Die letzten Männer

Ulrich Seidl

Disappointed by failed relationships and the demands set by local women, more and more Austrians search for happiness in a marriage with women from Thailand and the Philippines. Asked about the positive properties of their Asian spouses, the answer of the Austrian husbands quite often is, "They don't talk back." Protagonist of the film is Karl S., a teacher in Vienna in his forties. Following his failed marriage he is now seeking a durable partnership and is on the lookout for a wife who doesn't question her traditional role. His solution: a wife from the Far East. Karl S. rounds up experiences and visits several mixed couples to get a clearer picture and to have his idea proven right. The film accompanies him on his search for the ideal woman and gives an insight into the imagination of these "last real men" who at the beginning seem to have hit the jackpot with their decisions

Safari

Ulrich Seidl

Africa. In the wild expanses, where bush-bucks, impalas, zebras, gnus and other creatures graze by the thousands, they are on holiday. German and Austrian hunting tourists drive through the bush, lie in wait, stalk their prey. They shoot, sob with excitement and pose before the animals they have bagged. A vacation movie about killing, a movie about human nature.

Der Busenfreund

Ulrich Seidl

René Rupnik, Anna Rupnik

Main character of this movie is Rene Rupnik, a former math teacher. He is forty years old and lives together with his mother in a desolate block of flats. Ever since his early youth women with big breasts have fascinated him, because they symbolise a kind of earth mother to him. He has never had an especially close relationship with his own mother; she was too 'bony' for him. Object of Rene's fantasy is the actress Senta Berger, to him everything a woman should be. Standing by the blackboard and explaining the mathematical laws of sine and cosine ('sinus' is bosom in Latin), Rene sings the praises of the female curves and those of Santa Berger in particular. Filmmaker Ulrich Seidl let the former teacher speak freely about his obsessions and desires, intercutting his monologues with scenes from the protagonist's day-to-day life.

Paradise: Love

Ulrich Seidl

Margarethe Tiesel, Peter Kazungu

On the beaches of Kenya they're known as "Sugar Mamas" -- European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise. She goes from one Beach Boy to the next, from one disappointment to the next and finally she must recognize: On the beaches of Kenya love is a business.

Dog Days

Ulrich Seidl

Maria Hofstätter, Alfred Mrva

In a suburb of Vienna during some hot summer days: A teacher who is in bondage to a sleazy pimp, a very importunate hitchhiker, a private detective on the run for some car vandals, a couple with a serious marriage problem and an old man, whose wife died long before on the search for some sexual entertainment live their lives while their lifelines cross from time to time.

Import/Export

Ulrich Seidl

Ekateryna Rak, Paul Hofmann

A nurse from Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life..

Rimini

Ulrich Seidl

Hans-Michael Rehberg, Michael Thomas

Richie Bravo, once upon a time a successful pop star, chases after his faded fame in wintry Rimini. Trapped between permanent intoxication and concerts for busloads of tourists, his world starts to collapse when his adult daughter breaks into his life.

Böse Spiele

Ulrich Seidl

Michael Thomas, Hans-Michael Rehberg

Richie Bravo, once upon a time a successful pop star, chases after his faded fame in wintry Rimini. Trapped between permanent intoxication and concerts for busloads of tourists, his world starts to collapse when his adult daughter breaks into his life.

Tierische Liebe

Ulrich Seidl

Franz Dolesch, Renée Felden

In conurbations where hundreds of thousands live alongside one another, in the era of a highly technological society, in which communication has never played such a significant role, man has become lonely. Disappointed by his fellow human beings, he turns to animals. Dogs and other domestic animals serve him as companions, life partners, cuddly objects and bedfellows.

Spass ohne Grenzen

Ulrich Seidl

Dorothea Spohler-Claussen

An afternoon in the biggest fair of Germany.

Im Keller

Ulrich Seidl

Alessa Duchek, Gerald Duchek

Filmmaker Ulrich Seidl explores of the dark underside of the human psyche by entering Austrian basements fitted out as private domains for secrets and fetishes.

Paradise: Hope

Ulrich Seidl

Melanie Lenz, Joseph Lorenz

Hope, the third film in the PARADISE TRILOGY, tells the story of the 13-year-old Melanie. While her mother (Teresa) travels to Kenya, Melanie spends her holiday in the Austrian countryside at a strict diet camp for overweight teenagers. Under the supervision of a tattooed trainer and a creepy doctor, the teenagers attempt to do sports during the day and secretly get drunk in the evening. Between physical education and nutrition counseling, pillow fights and her first cigarette, Melanie falls in love with the doctor who is 40 years her senior.