Monica Vitti
1931 (94 года)Final Cut: Ladies and Gentlemen
György Pálfi
Brigitte Bardot, Alain Delon
A film where anything can happen - the hero and the heroine changes their faces, age, look, names, and so on. The only same thing: The love between man and woman... in an archetypical love story cut from 500 classics from all around the world.
Final Cut: Ladies and Gentlemen
The Phantom of Liberty
Luis Buñuel
Adriana Asti, Milena Vukotić
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
The Phantom of Liberty
L'Eclisse
Michelangelo Antonioni
Alain Delon, Monica Vitti
This romantic drama by Michelangelo Antonioni follows the love life of Vittoria, a beautiful literary translator living in Rome. After splitting from her writer boyfriend, Riccardo, Vittoria meets Piero, a lively stockbroker, on the hectic floor of the Roman stock exchange. Though Vittoria and Piero begin a relationship, it is not one without difficulties, and their commitment to one another is tested during an eclipse.
L'Eclisse
L'Avventura
Michelangelo Antonioni
Gabriele Ferzetti, Monica Vitti
Claudia and Anna join Anna's lover, Sandro, on a boat trip to a remote volcanic island. When Anna goes missing, a search is launched. In the meantime, Sandro and Claudia become involved in a romance despite Anna's disappearance, though the relationship suffers from guilt and tension.
L'Avventura
Il Cilindro
Eduardo De Filippo
Eduardo De Filippo, Monica Vitti
The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.
Il Cilindro
Michelangelo Antonioni storia di un autore
Gianfranco Mingozzi
Michelangelo Antonioni, Monica Vitti
A behind-the-scenes documentary about director Michelangelo Antonioni as he's shooting his segment of The Three Faces, a vehicle for Soraya, the former empress of Persia. Featuring interviews with Monica Vitti, Tonino Guerra and more.
Antonioni: Documents and Testimonials
Dramma della gelosia (tutti i particolari in cronaca)
Ettore Scola
Marcello Mastroianni, Monica Vitti
Construction worker Oreste and young fiancee Adelaide meet Nello, cook in a pizzeria. This love triangle often go to communist rallies, and enjoy the filthy beach of Ostia. Will the hostile environment leave a way to jealousy?
A Drama of Jealousy (and Other Things)
Teresa la ladra
Carlo Di Palma
Monica Vitti, Stefano Satta Flores
Teresa gets her first taste of crime -- and its consequences -- when, during World War II, she is nabbed for robbing an apartment. But being poor and perpetually starving, the pretty petty thief doesn't give up her quest for ill-gotten gains and soon turns to pick-pocketing. Despite her questionable thieving skills, the bumbling crook tries scheme after scheme, pilfering from strangers and dodging the law as she searches for a way to fund an adequate meal.
Teresa the Thief
L'occhio è per così dire l'evoluzione biologica di una lacrima e autoritratto Auschwitz
Alberto Grifi
Alberto Grifi, Monica Vitti
In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.
L'occhio è per così dire l'evoluzione biologica di una lacrima e autoritratto Auschwitz
La Tosca
Luigi Magni
Monica Vitti, Gigi Proietti
Rome, 1800. Napoleon threatens the power of the Church and executions of Jacobins are constant. Angelotti, the most famous of them all has escaped from prison and the chief of police is on his tail. Angelotti is being helped by a painter, lover of "La Tosca", a famous singer. The police chief suspects the truth and tries to arouse the jealousy of "La Tosca" to catch the escapee.
La Tosca
