Ventura Pons
1945 (79 лет)Ventura Pons Sala is a Catalan movie director. After a decade as a theatre director, Ventura Pons directed his first film in 1977, 'Ocaña, an Intermittent Portrait', which was officially selected by the 1978 Cannes Film Festival. Some of his movies have been produced by his own company Els Films de la Rambla, S.A., founded in 1985 and he has become one of the best-known Catalan film directors. His work has been shown at the best international film festivals, most notably at the Berlin International Film Festival for many consecutive years. He began his movie career making comedies about local customs. Since 1995 he has chosen to adapt dramatic and comic texts of Catalan writers like Quim Monzó, Josep Maria Benet i Jornet, Sergi Belbel, Lluís-Anton Baulenas, Jordi Puntí, Ferran Torrent and Lluïsa Cunillé. In 1995 he was awarded the National Cinema Prize by the Government of Catalonia, which also awarded him the Creu de Sant Jordi in 2007.
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La rossa del bar
Ventura Pons
Enric Majó, Núria Hosta
Mario is dominated by his castrating wife, and is also suffering from writer's block. He goes to a local (very mixed) bar where he meets an exhuberant blonde prostitute, through her room mate, a gay gigolo. With Mario's help, the blonde goes on to better jobs in the world of pornography, involving traveling abroad. This may not seem like good news for Mario, but he may also move on to a better phase in his life as a result.
The Blonde at the Bar
El gran Gato
Ventura Pons
Luis Eduardo Aute, Maria del Mar Bonet
"El Gran Gato" is the title of this "documented musical," as cataloged the same director, which includes the participation of singers like Tonino Carotone, Sisa, Kiko Veneno, Luis Eduardo Aute, Los Manolos, Lucrecia and Martyrdom. This manager and colleagues pay tribute to Jack Perez, singer and composer who popularized the rumba and died in 1990 when he was only 40 years. The film alternates between two parts: a documentary with more conversations with family and people who knew Jack Perez, and a second in which the aforementioned musicians interpret the best known songs of the musician.
El gran Gato
Actrius
Ventura Pons
Núria Espert, Anna Lizaran
In order to prepare for her role as a certain well-known actress, a young woman has lengthy conversations with three different actresses who were good friends with the famous star. Emerging from these conversations are three equally different versions of the past and the events that shaped their lives and careers. This cinematic adaptation of a theatrical work is true to the original, but does not stray far from a theatrical rendering of the story.
Actresses
Aquesta nit o mai
Ventura Pons
Lloll Bertran, Ángel Burgos
The film takes on a trip through a lively metropolis on the eve of a major holiday, witnessing the love lives, family situations, gender confusion and even a diamond traffic ring uniting some 14 different characters. They all have something in common - they're after love, money, live in or visit the same luxury apartment building, and speak Catalan, in the pulsating and hallucinating Barcelona of the 1990s.
Aquesta nit o mai
Un berenar a Ginebra
Ventura Pons
Joan Carreras, Óscar Intente
In 1973, towards the end of the Franco regime, the famous catalan writer Mercè Rodoreda bumped into the literary critic Josep Maria Castellet in Geneva where she lived exiled and she invited him to tea at her house. The writer was a most discrete person and maintained everything that concerned her wrapped in secrecy. Indeed she herself had become a secret or perhaps, even a maker of secrets. However that afternoon, strangely, she opened up and shared many intimacies.
An Afternoon in Geneva
Forasters
Ventura Pons
Anna Lizaran, Joan Pera
A family seen at two different periods, some 40 years having passed between the two. A dysfunctional family marked by what used to be called an ugly illness, cancer and death. The characters quarrel, hate each other, and refuse to accept in their predecessors what they will eventually, inevitably repeat in themselves. A family marked by relations of rejection, love and hate of the other, the upstairs neighbors, those strangers from a far-off land, Andalusia in the 1960s, Morocco at present, who will also form part of this repetitive game that is life. To what point is everything a metaphor or symbol of our society? Are we really strangers to ourselves?
Strangers
Amic/Amat
Ventura Pons
Josep Maria Pou, Rosa María Sardà
Based on a work of Josep Maria Benet i Jornet entitled "Testament", the film tells the story of an aging professor of medieval literature with the dilemma of deciding who will inherit his essay on "The Book of friend and loved" by Ramon Llull. Feeling near death as a result of illness, he discovers that the ideal person is a young and intelligent student he is in love with and who is dedicated to male prostitution.
Beloved/Friend
El perquè de tot plegat
Ventura Pons
Lluís Homar, Pepa López
Minimalistic frieze fifteen episodes about human behavior (desire, submission, love, jealousy, wisdom, honesty, sincerity, passion, faith, ...) located between two fantastic stories about the will and doubt.
What's It All About
Cola, Colita, Colassa (Oda a Barcelona)
Ventura Pons
Pilar Aymerich, Colita
As a photographer, Colita is an undisputed master of the portrait of 20th-century Barcelona. In her garden, she sips tea with her friends, all of them very important women: writers, singers and actresses filled with wit and exuberance. Together, they revisit their memories of intensely lived years: the last two decades of the Franco dictatorship. Just enough to complete the image through the lens of her camera. There is no distance in her art.
Cola, Colita, Colassa (Oda a Barcelona)
Anita no perd el tren
Ventura Pons
Rosa María Sardà, Isak Férriz
Fifty-something widow Anita loses her lifetime dream job as a cinema attendant when the new owner wants to tear down the old theater and build a trendy multiplex in its stead. Depressed at first, Anita finds comfort in watching the shirtless hunks on the theater's construction site. She befriends a married excavator operator, Antonio, and the two start their secret candlelit trysts in the site's office cabin. But soon Anita learns that excavators are only needed in the early phase of a construction project...
Anita Takes a Chance
Universal i faraona
Ventura Pons
Jesús Pérez Ocaña, Ignasi Millet
Fragments of the memory of three great artists José Pérez ‘Ocaña’ (Cantillana, 1947 - Seville, 1983), Javier Patricio ‘Gato’ Pérez (Buenos Aires, 1950 – Caldes de Montbui, 1990) and Pepe Rubianes (Villagarcía de Arosa, 1947 – Barcelona, 2009) became icons who helped make the city of Barcelona Universal and Pharaoh
Universal i faraona
