Claudio Fragasso
1951 (74 года)
Paura: Lucio Fulci Remembered - Volume 1
Mike Baronas
Claudio Aliotti, Adelaide Aste
This documentary examines the life and legacy of controversial Italian filmmaker Lucio Fulci through interviews with his colleagues, each of whom answers the question, "What is your fondest memory of Lucio Fulci?". The responses are as varied as the people who knew the late writer-director, providing a nuanced look at the man behind such gory grindhouse classics as City of the Living Dead and The House by the Cemetery.
Paura: Lucio Fulci Remembered - Volume 1
Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s
Mike Malloy
Enzo G. Castellari, Leonard Mann
A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.
Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s
A Whole Life Ahead
Paolo Virzì
Isabella Ragonese, Massimo Ghini
25-year-old philosophy major Marta faces the ugly truth for many young Italians—a total lack of career opportunities. While babysitting for single mother Sonia, she starts to work at the call center of a company selling junk to housewives, quickly rising through its ranks and experiencing first-hand the fanatical and exploitative competition culture pushed on employees. Around her revolve other people, like delusional supervisor Daniela, her boss Claudio, fragile coworker Lucio, and well-meaning but inconsistent union rep Giorgio.
A Whole Life Ahead
Inferno Rosso. Joe D'Amato sulla via dell'eccesso
Massimiliano Zanin, Manlio Gomarasca
Joe D'Amato, Aristide Massaccesi
Who was Joe D’amato- Aristide Massaccesi under his civil status? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.
Inferno Rosso: Joe D'Amato on the Road of Excess
La banda Vallanzasca
Mario Bianchi
Enzo Pulcrano, Stefania D'Amario
Convict Roberto murders a guard and escapes from jail with his cellmate. Once free he joins a group of gangsters and becomes a professional hitman. The gang abduct a young woman and when one them attacks her, Roberto shoots him and takes her to an abandoned farm house…..
The Vallanzasca Band
Ænigma: Lucio Fulci and the 80s
Giuliano Emanuele, Eugenio Ercolani
Antonio Bido, Carlo Maria Cordio
Ænigma: Lucio Fulci and the 80s takes a look into the twilight years of Lucio Fulci, one of Italian cinemas finest craftsmen; lovingly known as the 'Godfather of Gore' by his legion of fans.
Ænigma - Lucio Fulci and the 80s
Omega Rising: Remembering Joe D'Amato
Giuliano Emanuele, Eugenio Ercolani
Al Cliver, Ruggero Deodato
Delves into the career of the notorious Italian filmmaker, Aristide Massaccesi aka Joe D'Amato, the infamous director behind the legendary Video Nasties Anthropophagus: The Beast and Absurd.
Omega Rising: Remembering Joe D'Amato
Scalps
Bruno Mattei, Claudio Fragasso
Vassili Karis, Mapi Galán
The commander of a Texan fort in the Civil War refuses to surrender to the Northerners, and tries to buy the local Indian tribe chief's daughter. The sage man refuses, and the Southerners massacre the tribe and abduct the young squaw anyway. The noble squaw manages to escape, and hides out with a rough rancher, who dislikes Indians, but hates the Southerners more. The odd couple joins forces, and tactics, to exert ultimate vengeance on the men at the fort.
Scalps
