
Jasna Beri
2021The Beauty of Vice
Živko Nikolić
Mira Furlan, Milutin 'Mima' Karadžić
In the mountains of Montenegro people have lived by strict and Draconian laws for centuries, almost untouched by modern civilization. However, a young couple are going to seek their fortune on the more liberal coast and there they find jobs in the nudist colony. Hundreds of naked bodies and atmosphere of joie d'vivre make the husband and wife question their rigid way of life.
The Beauty of Vice
Druga Žikina dinastija
Zoran Čalić
Драгомир ''Гидра'' Бојанић, Marko Todorović
Unlike in the previous sequel of "Foolish Years"/"Zika's Dynasty" film series, Zika's and Milan's grandson became crazy for girls, having sex with them simultaneously in his apartment. Granddads are now worried for different reason, so they visit the doctor who gives them an advice to send their grandson to the country in order to use his strength appropriately.
Second Žika's Dynasty
Teško je biti fin
Srđan Vuletić
Saša Petrović, Daria Lorenci Flatz
Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.
It's Hard to Be Nice
Snijeg
Aida Begić
Zana Marjanović, Jasna Beri
The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.
Snow
On the Path
Jasmila Žbanić
Zrinka Cvitešić, Leon Lučev
Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...
On the Path
Nafaka
Jasmin Duraković
Nancy Abdel Sakhi, Haris Burina
Sarajevo, 1992. They are called Ahmed, Lana, Sado, Saba, Sahbey, Beba, Nemanja, Marx, Matan. They live in and between wartimes. They have "nafaka", the destiny which was bestowed on them by God Almighty. They have enough gallows humor and courage to believe in freedom and happiness.
Nafaka
Sex - partijski neprijatelj br. 1
Dušan Sabo
Branko Vidaković, Velimir 'Bata' Zivojinovic
The adventures of a young commie activist, whose love for the party is not even close to the one he has for women. Every action he undertakes is somehow connected to the love adventure, and his rise on a social ladder doesn't stops even in the turbulent period of Informbureau crisis.
Sex - Party's Enemy No. 1
Naša svakodnevna priča
Ines Tanović
Uliks Fehmiu, Emir Hadžihafizbegović
Family Susic lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Sasa (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father's dissatisfaction after his company is sold on the stock exchange, Sasa's negligent attitude towards work and family, Marija's breast cancer diagnose. When problems begin to line up Muhamed and Sasa realize that actually only family is important, that it is man's last oasis
Our Everyday Life
Vanbračna putovanja
Ratko Orozović
Vicko Ruić, Velimir 'Bata' Zivojinovic
Tugomir, a student, wants to write a dissertation on Love, but fails to complete it before being obligatory drafted in the army. There, he succumbs to paranoia that his girlfriend is cheating on him. He decides to cheat on her too.
Extramarital Travels
Vlažnost
Nikola Ljuca
Jelena Stupljanin, Maria Kraakman
The wife of a successful construction manager has disappeared after an ordinary morning in Belgrade. He is assured she will come back and continues with life, as usual. But, maybe she is just the first of the collapsed dominoes.
Humidity
The Son
Ines Tanović
Dino Bajrović, Snežana Bogdanović
Arman is about to turn 18. He was adopted as a baby by Jasna and Senad, who were unable to have children of their own. However, four years after the adoption, Jasna gives birth to Dado. Throughout his life, Arman has had a hard time coping with being an adopted child. Full of explosive energy, he constantly gets in trouble together with his schoolmates. Despite being very intelligent, he is labelled as a problem child. The only place he feels safe and loved is with Jasna’s parents. At the same time, Arman does all he can to save Dado from self-destructing. However, despite everything he does to support his brother, his parents interpret Arman’s involvement incorrectly, and blame him for every trouble with Dado.
The Son