
Sue Lloyd
1939 - 2011Miss Marple: A Caribbean Mystery
Chris Petit
Joan Hickson, Donald Pleasence
While on vacation at a resort hotel in the West Indies, Miss Marple correctly suspects that the apparently natural death of a retired British major is actually the work of a murderer planning yet another killing.
Miss Marple: A Caribbean Mystery
The Ipcress File
Sidney J. Furie
Michael Caine, Nigel Green
Sly and dry intelligence agent Harry Palmer is tasked with investigating British Intelligence security, and is soon enmeshed in a world of double-dealing, kidnap and murder when he finds a traitor operating at the heart of the secret service.
The Ipcress File
Revenge of the Pink Panther
Blake Edwards
Peter Sellers, Herbert Lom
Chief Inspector Jacques Clouseau is dead. At least that is what the world—and Charles Dreyfus—believe when a dead body is discovered in Clouseau's car after being shot off the road. Naturally, Clouseau knows differently and, taking advantage of not being alive, sets out to discover why an attempt was made on his life.
Revenge of the Pink Panther
Nothing But the Best
Clive Donner
Alan Bates, Denholm Elliott
Success has James Brewster's name written all over it, and he also has his heart set on his boss's daughter. A con artist hires him to help out on a bank scheme, but then again, James will do anything to get rich and be the most successful businessman in Britain-even if it means murder!!!
Nothing But the Best
Correction, Please: or, How We Got into the Pictures
Noël Burch
Jeff Rawle, Sue Lloyd
Experimental essay in film history, associating very early archive material (circa 1909) and studio shot footage in an attempt to provide insights into the way in which "film language" developed during the silent era, with emphasis on the process by which spectators came to be increasingly "contained" with the space time of narrative.
Correction, Please: or, How We Got into the Pictures
Hysteria
Freddie Francis
Robert Webber, Anthony Newlands
An American wakes up in an English hospital unable to remember anything of his life before a recent car accident. With only a photograph torn from a newspaper to guide him, and an unknown benefactor, he attempts to unravel what looks increasingly like a bizarre murder.
Hysteria
Eat the Rich
Peter Richardson
Ronald Allen, Jimmy Fagg
Alex is a disgruntled waiter at a snobby exclusive restaurant who falls on hard times. Forced to deal with the contempt and disgust of the upper class, Alex & cohorts attempt to go on a rampage. Meanwhile, General Karprov and Spider plot to involve the inept anarchists into their plans to derail the prime-minister-to-be's campaign.
Eat the Rich
Corruption
Robert Hartford-Davis
Peter Cushing, Sue Lloyd
A surgeon discovers that he can restore the beauty to his girlfriend's scarred face by murdering other women and extracting fluids from their pituitary gland. However, the effects only last for a short time, so he has to kill more and more women. It is ultimately a killing spree which ends with considerable death and disaster.
Corruption
Attack on the Iron Coast
Paul Wendkos
Lloyd Bridges, Andrew Keir
Attack on the Iron Coast is a 1967 British-American Oakmont Productions international co-production war film directed by Paul Wendkos in the first of his five picture contract with Mirisch Productions, and starring Lloyd Bridges, Andrew Keir, Sue Lloyd, Mark Eden and Maurice Denham. The film depicts an account of Allied Combined Operations Headquarters commandos executing a daring raid on the German-occupied French coast during the Second World War. The film is based on the commando raid on the French port of St. Nazaire and is reminiscent of the film The Gift Horse. In the United States it was released as a double feature with Danger Route.
Attack on the Iron Coast
Bullet to Beijing
George Mihalka
Michael Caine, Jason Connery
When long-time British agent Harry Palmer loses his job because the Cold War is over, he's promptly approached by a Russian bossman, Alex. In St. Petersburg Alex tells Harry of his plan for Russia's future, which is threatened because a deadly biochemical weapon called the Red Death has been stolen from him. He'll pay Harry handsomely to retrieve it. An ex-spy friend tips Harry off that it's being sent to Beijing by train, aboard which we begin to learn whose side everyone's really on.
Bullet to Beijing