Kim Sun
1978 (46 лет)자가당착: 시대정신과 현실참여
Kim Sun
"Korean defender of law and order, Podori (Korean Police Mascot), starts a new day. Now he is preparing his new legs which are almost ready to be combined to his upper body. He has dreamt of the moment that he shows his father these strong and beautiful legs some day. His new legs are being accomplished! He is so excited to meet his father with his precious invention tomorrow! His father will be very proud of him, he believes. However, rats suddenly appear and attack his legs. He tries to stop them, but they keep on gnawing his almost-ready lower body. He finally decides to fight against the rats."
Self-Referential Traverse: zeitgeist and engagement
반두비
Shin Dong-il
Baek Jin-hee, Mahbub Alam
Min-Seo, a 17-year old rebellious high school Korean girl, lives in a small apartment with her mother and her mother’s penniless lover. She hates her mother’s lover and doesn’t understand both of them. Karim, a 29-year old Muslim migrant worker from Bangladesh has to leave Korea in a month. Before departing, he is desperately searching for his ex-boss to get his unpaid salary. One day, as Min-Seo’s summer vacation begins, Karim encounters Min-Seo on a bus, and together they set out on an emotional journey.
Bandhobi
시간의식
Kim Sun, Kim Gok
Time-Consciousness offers four mutually contradictory versions of a series of events. The constant factors are a middle-aged poet with a gammy leg, a prostitute who may or may not be dead, and the woman’s humble room (which may or may not be tidy), where the poet does his writing. Asking "What did happen at 9:20 that evening?," the film underlines the unreliability of memory and the impossibility of objectivity.
Time Consciousness
자본당 선언: 만국의 노동자여, 축적하라!
Kim Sun, Kim Gok
Jo Gwang-je, Lee Jin-pil
A strange and yet unique story about hoodlums who spend most of their times either on gambling or dealing pornographies, high school students who sell their bodies, and prostitutes.
Capitalist Manifesto: Working Men of All Countries, Accumulate!
무서운 이야기
Lim Dae-Woong, Kim Sun
Kim Ji-won, Yoo Yeon-seok
A teenager is abducted and forced to tell the scariest tales she knows, leading to this anthology of four stories: a brother and sister are under siege while home alone; a killer escapes police custody mid-flight; step-sisters take plastic surgery to nightmarishly macabre extremes; a paramedic and mother standoff over her infected young daughter.
Horror Stories
세번째 시선
Kim Sun, Kim Gok
Jung Jin-young, Kim Tae-woo
Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. This third installment continues the If You Were Me tradition. Directors Jeong Yun Cheol (Marathon), Kim Hyeon Pil (Wonderful Day), Lee Mi Yeon (L'Abri), Noh Dong Seok (Boys of Tomorrow), Hong Gi Seon (The Road Taken), and Kim Gok and Kim Sun (Capitalist Manifesto: Working Men of All Countries) participated in If You Were Me 3, creating shorts on human rights issues of their choosing, ranging from labor conditions to gay rights to discrimination.
If You Were Me 3
방독피
Kim Sun, Kim Gok
Patrick Smith, Jo Young-jin
A fresco mixing the satirical, the surreal and the fantastical to portray the social and political evils of today’s Korea. A gas mask-wearing serial killer is spreading terror. Four people are on his tail on election day: Miju – a wolf-girl who leads a sect of youths who are planning their mass suicide, Bosik – a traffic cop who’s convinced he is a super hero, Patrick – a US Marine on the brink of madness following the serial killer’s murder of his Korean girlfriend, and Ju Sanggeun, the favourite of the candidates for the mayoral seat of Seoul, who has received a disturbing death threat. The man behind the mask remains a mystery. The killer is everywhere or perhaps he is simply inside each of us. –Venice Film Festival
Anti-Gas Skin
Self Referential Traverse: Zeitgeist and Engagement
Kim Sun
A woman makes clothes in a basement but someone keeps interfering with her. She is angry but she doesn't know who she's being angry at. 'She' is actually a manikin and she's about to kidnap someone to ask for ransom money. The energetic and lively editing and sound are much alike Kim Gok and Kim Seon's previous work but their message to society is very direct and straightforward. The highlights of this movie are the unique narrative structure that twists the typical customs and the eccentric images.
Self Referential Traverse: Zeitgeist and Engagement
