Yılmaz Atadeniz
1932 (92 года)From Wikipedia, the free encyclopedia
Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema
Cem Kaya
Cüneyt Arkın, Yılmaz Atadeniz
Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.
Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema
Şampiyon
Yılmaz Atadeniz
Emel Sayın, Ayhan Işık
A night club singer decides to join a troubled boxing champion evading police investigation. The trust chains are broken between the two the night the champion gets in a fist fight single-handedly before his wife is murdered.
Şampiyon
Klink Soy ve Öldür
Yılmaz Atadeniz
Yıldırım Gencer, Suzan Avcı
Kilink is between 2 rival gangs and manages to turn one against the other. All of them are after a precious microfilm and a big foreign treasure. Kilink proves to be the most perfect Fantomas of them all, changing disguises more often than he changes socks. At the same time, it's raining gorgeous ladies all over the place. Most of them rivals....All of them falling for him or off balconies, pushed by him. In a brilliant sequence, he punches a treacherous pussycat, strangles her with his bare hands and chucks her off a balcony. The film features the classic torture-the-tied-woman scenes. In one of them, even a snake is used for a quicker confession. Endless shootouts, car chases, murders, beat ups and plot twists make this sequel one of the best Turkish auctioneers ever.
Kilink: Strip and Kill
