Klaus Lemke
1940 (84 года)Zeigen was man liebt
Frank Göhre, Borwin Richter
Iris Berben, Dominik Graf
In the 1970s, the Munich Group set about revolutionizing German film with low budgets and an excess of creativity. The Bungalow bar next to the Türkendolch theater was their meeting place, who were inspired by the French New Wave and New Hollywood. Munich Group star Iris Berben takes us on a journey back through time, a wild trip full of film clips and interviews with major figures of an unforgettable era.
Show What You Love
Amore
Klaus Lemke
Cleo Kretschmer, Pietro Giardini
The inconspicuous greengrocer's daughter Maria had to watch as the adored Italian Pietro broke her best friend's heart. Dressed up as a vamp, the vengeful Maria now sets a cunning trap for the attractive Papagallo. Maria is the daughter of a small German fruit and vegetable dealer, Pietro is the son of a large Italian fruit and vegetable dealer. Both live in Munich and both meet every morning at six o'clock in the Grossmarkthalle. Maria looks inconspicuous, while Pietro looks extremely attractive. Maria is hardly interested in men, whereas Pietro is interested in all girls. Maria doesn't care until Pietro first seduces Maria's best friend and then leaves her unhappy. Now Maria starts a campaign of revenge against the light-footed Casanova, in the name of her best friend and in the name of all the girls who have been seduced by Pietro. Maria lures Pietro, who is now madly in love with her, to his native Italy, where Pietro, blinded by love and jealousy, proposes to Maria.
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Duell
Klaus Lemke
Lotti Ohnesorge, Les Olvedi
In this action film, a young couple is invited to his boss’ house. On the way, he gets out for a cigarette and she takes the wheel and speeds off. He hails a cab and pursues her through night-time Munich. The chase takes him through back courtyards, malls, night clubs and bars. At the end of the duel, she’s the clear victor.
Duell
Sylvie
Klaus Lemke
Sylvie Winter, Paul Lys
Fashion model Sylvie falls asleep drunk in the cab of Munich taxi driver Paul, and an impossible love affair beckons. Renegade director Klaus Lemke had previously startled German TV audiences with the biker drama Rocker, announcing an unprecedented, unvarnished freshness and authenticity with nonprofessional actors, real dialect and on-the-fly style. In Sylvie, he adds a disarming tenderness.
Sylvie