Jacques Bonnaffé
1958 (67 лет)
L'Homme a mangé la Terre
Jean-Robert Viallet
Jacques Bonnaffé, John D. Rockefeller
An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.
Breakpoint: A Counter History of Progress
Vincent avant midi
Guillaume Mainguet
Jacques Bonnaffé, Mathias Labelle
A father pays his son a visit after years of conflict and turns up in the middle of his house move. The son, Vincent, reacts violently to that intrusion. Emotionally weakened, the father involuntarily reveals the true reason of his visit, which revives the tension between them. Within a few minutes, the anger, the memories and the crossed looks move the two men deeply.
Vincent Before Noon
Seances
Guy Maddin, Evan Johnson
Mathieu Amalric, Céline Bonnier
Seances, co-created with the National Film Board of Canada, presents a wholly new way of experiencing film narrative. By dynamically generating a series of film sequences in unique configurations, potentially hundreds of thousands of new stories are conjured by code. Each will exist only in the moment—no pausing, scrubbing, or sharing—offering the audience one chance to see the generated film. This project, co-created by the ever imaginative Guy Maddin, is a visual discourse on the impact of loss within film. All the sequences pay homage to lost silent films from the early day of cinema. Seances is nostalgic but it is also frequently hilarious. Part of the joy and sadness of Seances is that many possible narratives are created but they can be only viewed once before they disappear forever.
Seances
The Page Turner
Denis Dercourt
Catherine Frot, Déborah François
Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.
The Page Turner
Itinéraires
Christophe Otzenberger
Yann Trégouët, Céline Cuignet
It is the end of the judicial control of Thierry Chartier, 18 years old. He was a virgin in Heuzecourt, a small village in the north of France populated by farmers and retired miners, where his paternal grandmother lived. He earns his living by helping out in the fields, he helps his grandmother, and would like to take over the farm. But, following an incident, he is condemned to seven years of criminal imprisonment, for complicity of murder, Thierry leaves on parole with an English diploma and a tattoo. But above all a guilt forever anchored. It is now up to him to rebuild his life.
Itinéraires
Elle a passé tant d'heures sous les sunlights...
Philippe Garrel
Anne Wiazemsky, Jacques Bonnaffé
A young film director is turning a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined , and the film - told through five dreams - is as much the story of a film on-production, as the birth of a child.
She Spent So Many Hours Under the Sun Lamps
Va Savoir (Who Knows?)
Jacques Rivette
Jeanne Balibar, Marianne Basler
After finding love and success in Italy, French actress Camille returns to Paris, the city she fled three years ago. She secretly dreads confronting her ex-boyfriend Pierre. Her new lover Ugo also has a secret, as he’s meeting with the intriguing Dominique while on his quest for an unpublished manuscript.
Va Savoir (Who Knows?)
Violette
Martin Provost
Emmanuelle Devos, Sandrine Kiberlain
Born out of wedlock early in the last century, Violette Leduc meets Simone de Beauvoir in postwar Saint-Germain-des-Près. An intense lifelong relationship develops between the two women authors, based on Violette's quest for freedom through writing and on Simone's conviction that she holds in her hands the destiny of an extraordinary writer.
Violette
Baptême
René Féret
Valérie Stroh, Jean-Yves Berteloot
In this film, director Rene Feret tells the story of his parents' lives. In 1935 his mother Aline works in her parents' cafe in a mining town in northern France. There, she meets a customer, Pierre and decides she is going to marry him. In a reversal of roles, she is the one who proposes to him, and she also engineers a false pregnancy to persuade her parents to okay the match. With a few stops along the way, the story picks up after the war with the birth of the couple's third son, who is given the name Rene in memory of their first, dead son. Never rich, they achieve some level of financial stability just as their sons are about to head off to the city for college. The love between the two older people is highlighted in a poignant scene as, just as he is about to die, the father shares a champagne toast with his wife in memory of one of their happier moments.
Baptême
Come What May
Christian Carion
August Diehl, Olivier Gourmet
In may 1940, the German troops enter France. Frightened by the progress of the enemy, the people of a small village of Pas-de-Calais decide on the recommendations of the prefecture, to give up everything to go on the road, fleeing to the coast.
Come What May
