Yuya Ishii
1983 (41 год)The Great Passage
Yuya Ishii
Ryuhei Matsuda, Aoi Miyazaki
Majime, an eccentric man in publishing company, who has unique ability of words, joins the team that will compile a new dictionary, ‘The Great Passage.’ In the eclectic team, he becomes immersed in the world of dictionaries. But the team is overwhelmed with problems. Will ‘The Great Passage’ ever be completed?
The Great Passage
川の底からこんにちは
Yuya Ishii
Hikari Mitsushima, Masashi Endô
After 5 years in Tokyo, 5 part-time jobs, 5 boyfriends, Sawako's life is going nowhere. When her father gets seriously ill, she has to take over his struggling factory. Gradually she becomes the decider of her own life.
Sawako Decides
夜空はいつでも最高密度の青色だ
Yuya Ishii
Shizuka Ishibashi, Sosuke Ikematsu
Mika works as a nurse by day; by night she entertains covetous men at a girls’ bar. Shinji is blind in one eye and ekes out a living as a construction worker. Young and grown-up at the same time, they both lead a lonely existence, but somehow their paths keep miraculously crossing under the Tokyo sky. Can loneliness be experienced together?
The Tokyo Night Sky Is Always the Densest Shade of Blue
町田くんの世界
Yuya Ishii
Kanata Hosoda, Nagisa Sekimizu
High school boy Machida is a loner who is not particularly good at his studies or extracurricular activities. He does seem to have his heart in the right place however. When he is injured at school instead of the school nurse at the infirmary a school-mate tends to him. He develops a crush for her and soon enough the feelings are returned.
The World of Machida-kun
ガール・スパークス
Yuya Ishii
Ayuko Ikawa, Toshiaki Inomata
Saeko is a normal schoolgirl who just happen to witness two rockets collide in the sky one day. Finally, this is something out of the ordinary. She attends school, but it is dull. Life is boring. The teacher has other things on his mind. Her father stinks. Her father's factory is going broke. Perhaps she can save it. That would be something different.
Girl Sparks
剥き出しにっぽん
Yuya Ishii
Yuichi Toyone, Rumi Ninomiya
Taro, who recently graduated from high school, doesn't know what he wants to do. He rents a house and plot of land in the country-side determined to make a living in agriculture. His expectation is great as the girl he likes, Yoko, will also go with him, but his father, recently laid off by his company's down-sizing, is also tagging along and so begins the the trio's strange life in the country. Set at a solitary house in the middle of the desolate, country-side, the relaxed tempo and off-hand humor are impressive despite the themes of parent-progeny conflict and reconciliation that unfold in the film.
Bare-assed Japan
ハラがコレなんで
Yuya Ishii
Riisa Naka, Aoi Nakamura
Mitsuko is 24, heavily pregnant and estranged from the American father of her child. Her parents believe she is happy and successful in America and are unaware that she has secretly returned to Tokyo. Making the biggest decisions on the slightest whim, she moves back into the tenement street where she lived as a child. The move changes lives, reignites old romances and creates a supportive circle of love that may be exactly what Mitsuko needs.
Mitsuko Delivers
バンクーバーの朝日
Yuya Ishii
Satoshi Tsumabuki, Kazuya Kamenashi
In pre-WWII Vancouver, second-generation Japanese immigrants had it tough. Daily, they faced discrimination, hatred and injustice at the hands of their Caucasian counterparts. But one thing made their lives worth living: baseball. They may be the underdogs, but the Vancouver Asahi baseball team have a sense of fair play and smart tactics that set them apart from the brute force of their opponents. Under the guidance of new team captain Reggie Kasahara, can they be able to rise above all the negativity to win the tournament? This film is based on the true story of Vancouver Asahi, the Japanese-Canadian baseball team that was inducted into The Canadian Baseball Hall of Fame in 2003.
The Vancouver Asahi
君と歩こう
Yuya Ishii
Toshiki Fujikawa, Sachiko Katsumata
A 17-year-old country boy named Norio decides his only option is to follow his late parents’ example and commit suicide. After failing even at that, his 34-year-old English teacher Akemi convinces him that he should instead move to Tokyo with her and become a lawyer on her dime. Unfortunately, Akemi doesn’t have quite as much money as she leads Norio to believe, and has to secretly get a job at a karaoke bar under the guise of “going to the salon”. Meanwhile, she continuously prods her somewhat dimwitted student to work harder toward her manufactured goal of him becoming a lawyer. Although Norio is falling in love with Akemi, he’s not all that interested in studying, and matters only get worse when he discovers his benefactor’s secret source of income.
To Walk Beside You
アジアの天使
Yuya Ishii
Sosuke Ikematsu, Moon Choi
Aoki is a failing novelist, and Sol is a failing pop singer. Encountering each other in South Korea, speaking different languages, they and their families somehow end up in a truck heading off into the Korean countryside.
The Asian Angel
Bakemono moyou
Yuya Ishii
Satoshi Shiomi, Tatsuaki Hôjô
A young man in a green Martian costume allows himself to be dragged hither and thither by a bossy housewife. In this way the film swerves between deceptively ordinary realism and a fantastic absurdism. The housewife Junko (Otori Rei) has started to behave increasingly strangely since the death of her son. Her husband can't put up with it any more and goes off with a female colleague. The man in the green suit, Katsura Tombo (Oda Yonosuke), is a bread salesman but he forgets his work. His strange costume is supposed to lure new customers, but he seems to have forgotten that. He is more or less kidnapped by Junko and falls in love with her. Junko however has other intentions with the rather naive salesman. The failed Martian drives her around in his aunt's van, but his helpfulness doesn't get rewarded.
Of Monster Mode
生きちゃった
Yuya Ishii
Taiga Nakano, Yuko Oshima
Atsuhisa Yamada is an ordinary man, with a wife and a 5-year-old daughter. He is close to his childhood friend Takeda. One day, Atsuhisa Yamada leaves his office during work hours and goes back home early. There, he witnesses his wife and an unknown man having sex, but Atsuhisa Yamada is unable to express his feelings like anger, frustration, and depression. His relationship with his wife and his friend Takeda becomes distorted.
All the Things We Never Said
茜色に焼かれる
Yuya Ishii
Machiko Ono, Iori Wada
7 years ago, Yoichi died in a traffic accident. His wife Ryoko did not receive compensation from her husband's death. She has since raised her son Junpei by herself. Junpei is now a middle school student. Ryoko also cares for her father-in-law, who lives in a nursing home and she also runs a cafe. Her care is in a difficult situation due to Covid-19, while Junpei experiences bullying at school.
A Madder Red
