Gus Van Sant
1952 (72 года)His early career was devoted to directing television commercials in the Pacific Northwest. In his films, he has dealt with themes concerning homosexuality and other marginalized subcultures.
His filmography as writer and director includes an adaptation of Tom Robbins' novel Even Cowgirls Get the Blues, which features a diverse cast (Keanu Reeves, Roseanne Barr, Uma Thurman, and k.d. lang, with cameos by William S. Burroughs and Heather Graham, among others); and My Own Private Idaho, also starring Reeves as well as River Phoenix.
He wrote the screenplays for most of his early movies, and wrote one novel, Pink. A book of his photography has also been published, called 108 Portraits.
The Story of Film: An Odyssey
Mark Cousins
Mark Cousins, Jean-Michel Frodon
Эпическое путешествие по мировыми столицам от Болливуда до Голливуда, это «золотой век» 20-х годов и появление звука. Это истории секса и мелодрамы в 50-е и великие кинозвезды 50-х и 60-х, масштаба Федерико Феллини. Это американский кинематограф 60-х и 70-х, когда режиссеры пытались изменить мир, появление картин «Звездные войны», «Челюсти» и «Изгоняющий дьявола». Это 80-е, время протеста в кино, новый «золотой век» 90-х и появление новых звезд на небосклоне в наше время.
The Story of Film: An Odyssey
Thank You for Supporting the Arts
W. Alexander Jones, Carolann Stoney
Liv Osthus, Gus Van Sant
Directors W. Alexander Jones and Carolann Stoney turn their cameras on Liv Osthus, one of the best-known artists working in Portland’s adult entertainment industry. She also happens to be a published author, musician, breast cancer survivor, mother, and daughter of a preacher. Better known as Viva Las Vegas, Osthus grew to wide notoriety when, along with a handful of other strippers, she faced down Portland city council for greater protections for sex workers. In a city with the highest number of strip clubs per capita in the country (and probably strippers), this unique woman not only revels in the glorious grit of the profession, but also manages to raise social perceptions with her creative successes, bravery, and artistry.
Thank You for Supporting the Arts
David Bowie: Best of Bowie
David Bowie, Gus Van Sant
David Bowie
Disc 1: Oh. You Pretty Things, Queen Bitch), Five Years, Starman, John I'm Only Dancing, The Jean Genie, Space Oddity, Drive-in Saturday, Life on Mars?, Ziggy Stardust, Rebel Rebel, Young Americans, Be My Wife, "Heroes," Boys Keep Swinging, D.J., Look Back in Anger, Ashes to Ashes, Fashion, Wild Is the Wind, Let's Dance, China Girl, Modern Love, Cat People (Putting Out Fire), Blue Jean, Loving the Alien, Dancing in the Street (with Mick Jagger) Disc 2: Absolute Beginners, Underground, As the World Falls Down, Day-In Day-Out, Time Will Crawl, Never Let Me Down, Fame '90, Jump They Say, Black Tie White Noise, Miracle Goodnight, Buddha of Suburbia, The Heart's Filthy Lesson, Strangers When We Meet, Hallo Spaceboy, Little Wonder, Dead Man Walking, Seven Years in Tibet, I'm Afraid of Americans, Thursday's Child and Survive.
David Bowie: Best of Bowie
Good Will Hunting
Gus Van Sant
Мэтт Дэймон, Robin Williams
Will Hunting has a genius-level IQ but chooses to work as a janitor at MIT. When he solves a difficult graduate-level math problem, his talents are discovered by Professor Gerald Lambeau, who decides to help the misguided youth reach his potential. When Will is arrested for attacking a police officer, Professor Lambeau makes a deal to get leniency for him if he will get treatment from therapist Sean Maguire.
Good Will Hunting
Red Hot Chili Peppers: Funky Monks
Gavin Bowden
Anthony Kiedis, Chad Smith
An intimate look at Los Angeles-based funk rock foursome Red Hot Chili Peppers' creative process as they join producer Rick Rubin at a Hollywood Hills mansion to record their 1991 studio album 'Blood Sugar Sex Magik', which would go on to propel the band into critical acclaim and worldwide popularity.
Red Hot Chili Peppers: Funky Monks
Strange Parallel
Steve Hanft
Elliott Smith, Gus Van Sant
Strange Parallel is a documentary/short film revolving around the American singer/songwriter Elliott Smith. The film features interviews with Elliott himself as well as fans, friends and other acquaintances of his (including Gus Van Sant, Larry Crane, and the members of Quasi). The film also includes snippets of Elliott Smith performing as well as footage of him recording an unreleased song, "Brand New Game". The film sometimes moves out of reality, with acted-out, metaphorical sequences that involve Elliott considering purchasing a mechanical hand (a "robot hand" ) to improve his music.
Strange Parallel
Um Filme de Cinema
Walter Carvalho
Ariano Suassuna, Ruy Guerra
An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.
About Cinema
Milk
Gus Van Sant
Sean Penn, Emile Hirsch
The true story of Harvey Milk, the first openly gay man ever elected to public office. In San Francisco in the late 1970s, Harvey Milk becomes an activist for gay rights and inspires others to join him in his fight for equal rights that should be available to all Americans.
Milk
Cinema16: American Short Films
Standish Lawder, George Lucas
CINEMA16 celebrates the short film by showcasing some of the best classic and award-winning shorts on DVD. With over three hours of films CINEMA16: AMERICAN SHORT FILMS is essential viewing for anyone with an interest in the moving image. Films include Gus Van Sant's 1982 adaptation of a William S. Burroughs short story, The Discipline Of DE, Tim Burton's early stop motion animated classic Vincent, George Lucas' USC short Freiheit, Alexander Payne's previously unreleased UCLA graduation short Carmen, Paperboys by Mike Mills, D.A. Pennebaker's Duke Ellington scored Daybreak Express, Todd Solondz's NYU short Feelings, along with Oscar Winner The Lunch Date by Adam Davidson, Stefan Nadelman's multi- award winning documentary Terminal Bar, Joe Nussbaum's cult classic George Lucas In Love and 2006 Sundance Winner The Wraith Of Cobble Hill by Adam Parrish King. Films are subtitled in French, German, Italian, Spanish and Japanese, and include commentaries from many of the directors involved.
Cinema16: American Short Films
Crítico
Kleber Mendonça Filho
Aki Kaurismäki, Alain Riou
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
Crítico
Finding Forrester
Gus Van Sant
Sean Connery, Rob Brown
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
Finding Forrester
Drugstore Cowboy
Gus Van Sant
Matt Dillon, Kelly Lynch
Portland, Oregon, 1971. Bob Hughes is the charismatic leader of a peculiar quartet, formed by his wife, Dianne, and another couple, Rick and Nadine, who skillfully steal from drugstores and hospital medicine cabinets in order to appease their insatiable need for drugs. But neither fun nor luck last forever.
Drugstore Cowboy
I Don’t Belong Anywhere : Le Cinéma de Chantal Akerman
Marianne Lambert
Chantal Akerman, Gus Van Sant
I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
I Don't Belong Anywhere: The Cinema of Chantal Akerman
At the Video Store
James Westby
Bill Hader, John Waters
Equal parts personal essay, intense rumination, and playful satire, this movie laments the death of the American Video Store while it searches for the missing human element in today's digital landscape.
At the Video Store