Jacob Matschenz
1984 (42 года)Never Look Away
Florian Henckel von Donnersmarck
Tom Schilling, Sebastian Koch
The story of Kurt, a young art student who falls in love with fellow student, Ellie. Ellie’s father, Professor Seeband, a famous doctor, is dismayed at his daughter’s choice of boyfriend, and vows to destroy the relationship. What neither of them knows is that their lives are already connected through a terrible crime Seeband committed decades ago.
Never Look Away
A Regular Woman
Sherry Hormann
Almila Bagriacik, Merve Aksoy
Hatun "Aynur" Sürücü, a vibrant young Turkish woman and mother is murdered at 23 by her youngest brother in an honor killing. Forced into an abusive arranged marriage with a cousin in Istanbul at 16 by her devout Muslim family, Aynur escapes to Berlin and gives birth to a son. She is considered a disgraceful burden by her parents and siblings, so Aynur soon leaves her family and attempts to start a new life.
A Regular Woman
The Wave
Dennis Gansel
Jürgen Vogel, Frederick Lau
A school teacher discusses types of government with his class. His students find it too boring to repeatedly go over national socialism and believe that dictatorship cannot be established in modern Germany. He starts an experiment to show how easily the masses can become manipulated.
The Wave
Renn, wenn Du kannst
Dietrich Brüggemann
Robert Gwisdek, Jacob Matschenz
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
Run If You Can
Wholetrain
Florian Gaag
Mike Adler, Florian Renner
This feature takes a look at the graffiti movement and young people who populate the niche culture. Following four such artists as they shape the graffiti community through both their art and their interactions, the film tells the story of how the foursome's decision to paint an entire train would affect their lives forever.
Wholetrain
Dreileben: Etwas Besseres als den Tod
Christian Petzold
Jacob Matschenz, Luna Mijović
Johannes is a loner who wants a better job. And then he meets Ana. Ana is attractive and even though her job is even less prestigious than Johannes's, he falls for her. And then she quits her job to be with him (and be dependent on him) and suddenly things become much more serious. She has fallen for him. But does he still love her? Did he ever? Enter Sarah. Sarah is the daughter of Johannes's boss. He and she have a past. Will Sarah and what she represents be his future, and Ana just a memory, something he'd like to erase?
Dreileben: Beats Being Dead
La mer à l'aube
Volker Schlöndorff
Ulrich Matthes, Jean-Marc Roulot
October 1941. Eighteen months into France’s occupation by German troops, young Communist members of the Resistance shoot dead an officer of the German Army. In retaliation, Hitler demands the deaths of 150 Frenchmen, as 'retribution'. The targets are to be mostly young men believed to share the assassins’ political convictions. Most of these men are taken from an internment camp for opponents of the occupation; a 35-year-old French rural administrator is ordered to select the victims. Although the parish priest appeals to their conscience and moral sensibilities, both the German military and their French helpers slavishly follow their orders.
Calm at Sea
An die Grenze
Urs Egger
Jacob Matschenz, Bernadette Heerwagen
19-year-old NVA soldier, Alex Karow, is sent to the West German-East German border in May 1974, shortly after Willy Brandt's resignation and during the World Cup. The army is dominated by brutal rituals, tolerated or used by the officers. Alex understands that the ideals of balance, democracy and human dignity are propaganda. The question of what happens when the other appears in the sights of the Kalashnikov occupies the soldiers day and night, interrupted almost exclusively by the games of the World Cup with the historic encounter between the GDR and the FRG. Alex draws strength from his love for Christine, a confident tractor driver who lives in the neighbouring village. Christine encourages him not to do what his father expects, but to follow his dream of becoming a photographer. But when her brother sends Alex's photo from the border fortifications to the West, everything gets out of control...
An die Grenze
