Nandita Das
1969 (55 лет)கன்னத்தில் முத்தமிட்டாள்
Mani Ratnam
R. Madhavan, Simran
A little girl is told by her parents that she is adopted. Determined to find her birth mother, her family eventually agrees to take her to Sri Lanka, where they encounter the militant group known as the Tamil Tigers.
Kannathil Muthamittal
Parinati
Prakash Jha
Basant Josalkar, Surekha Sikri
Based on a folk tale from Rajasthan, "Parinati" deals with the inherent tragedy of human avarice, which must inevitably lead to self-destruction. Ganesh, the protagonist, is a potter who leads a happy and contented life in a remote village. The only ambition he and his wife Kurjan share is to get their only son Laxman married and bring a daughter-in- law home. Destiny, however, has ordained otherwise. Ganesh is hand picked for his honesty and dedication by a local charitable Seth to become the caretaker of his inn in the middle of the desert. There, Ganesh and Kurjan meet a wealthy couple, who are greatly pleased with their service and hospitality. They offer to take their son Laxman to distant lands, teach him trade and make him fabulously rich.
Parinati
Khamosh Adalat Jaari Hai
Ritesh Menon
Nandita Das, Saurabh Shukla
A mock trial during the rehearsal of a play quickly turns into a gripping drama about desire, gender issues, power and control, this is an adaptation of playwright Vijay Tendulkar's Shantata. Court Chalu Aahe (1963).
Khamosh Adalat Jaari Hai
हज़ार चौरासी की माँ
Govind Nihalani
Jaya Bachchan, Anupam Kher
Dibyanath Chatterji, his bank-employed wife, Sujata, and only child, a son, Brati, live a middle-class existence in Calcutta, West Bengal, India, circa early 1970s. Sujata is a quiet, devout Hindu, religious, and compassionate woman, and Brati has finished his school and is now attending college. His parents are proud of him, and keep track of his progress. Then their world is shattered during the early hours, when they are informed by the police that Brati has been killed.
Mother Of 1084
Ramchand Pakistani
Mehreen Jabbar
Nandita Das, Rashid Farooqi
Based on a actual events, the story is about a Pakistani Hindu boy and his father who accidentally cross the border into India from their village in Pakistan at a time of extreme war like tension between the 2 countries and end up spending 5 years in an Indian prison while the mother left behind wonders what has happened to them.
Ramchand Pakistani
Rockford
Nagesh Kukunoor
Nandita Das, Nagesh Kukunoor
The movie chronicles the arrival of a (Hindu) student to a strict all-boys Christian boarding school in India and his assimilation into the school. The change is quite dramatic to the protagonist and there are a lot of events that would look extremely abusive to the viewer.
Rockford
फ़िराक
Nandita Das
Naseeruddin Shah, Paresh Rawal
Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.
Firaaq
Kamli
K.N.T. Sastry
Nandita Das, Tanikella Bharani
Kamli was actually inspired by a K.N.T. Sastry's award winning documentary harvesting babies. K.N.T. Sastry wanted to make a feature film based on the documentary about the plight of tribal women selling their babies for a pittance. He actually contacted and wanted to make film with Soundarya as the main female lead of Kamli, but she died in a helicopter crash, and finally made the film with Nandita Das.
Kamli
நீர்ப்பறவை
Seenu Ramasamy
Vishnu Vishal, Sunaina
A skeleton is found at the home of Esther (Nandita Das), whose fisherman husband Arulappasamy (Vishnu) has been missing for the past 25 years. Esther confesses that it was she who murdered her husband but when Agnes (Varsha), the cop assigned to the case, lends a sympathetic ear, she narrates a heart wrenching tale of a loving family ruined by the politics of territorial waters.
Neerparavai
Manto
Nandita Das
Nawazuddin Siddiqui, Rasika Dugal
In Bombay's seedy-shiny film world, Manto and his stories are widely read and accepted. But as sectarian violence engulfs the nation, Manto makes the difficult choice of leaving his beloved Bombay. In Lahore, he finds himself bereft of friends and unable to find takers for his writings.
Manto