Jean-Pierre Gorin
1943 (82 года)
Mes entretiens filmés
Boris Lehman
François Albéra, Jean-Marie Buchet
This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.
My Conversations on Film
Ici et ailleurs
Anne-Marie Miéville, Jean-Pierre Gorin
Jean-Luc Godard, Anne-Marie Miéville
"Here is a family of average French people in front of their television. Elsewhere, they are Palestinian fighters filmed before the massacres of Black September." (JLG, 1976). "We came here to study this: to learn, to learn lessons, if possible to record these lessons, to then broadcast them here, or elsewhere in the world. Almost a year ago, two of us came to investigate the Democratic Front. Then another went to Fath. We read the texts and programs. As French Maoists, we decided to make the film with Fath whose title is Until Victory. We let the Palestinians , during the film, themselves say the word: "Revolution". But the true title of the film is Methods of Thought and Work of the Palestinian Liberation Movement." (JLG, Manifesto, July 1970)
Here and Elsewhere
Godard in America
Ralph Thanhauser
Andrew Sarris, Jean-Luc Godard
Spring 1970: Godard and Gorin, on the road, visiting colleges, speaking with Andrew Sarris, and explaining, through illustrated notebooks, their newest Dziga Vertov Group project, a film on Palestine.
Godard in America
Cinétracts
Chris Marker, Philippe Garrel
A series of 41 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.
Cinétracts
Le Vent d'est
Jean-Pierre Gorin, Gérard Martin
Gian Maria Volonté, Anne Wiazemsky
A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.
Wind from the East
Vladimir et Rosa
Jean-Pierre Gorin, Jean-Luc Godard
Ernest Menzer, Jean-Luc Godard
Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.
Vladimir and Rosa
Letter to Jane
Jean-Pierre Gorin, Jean-Luc Godard
Jean-Luc Godard, Jean-Pierre Gorin
The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in the class struggle and points out the irony of Jane Fonda's participation in the photo shoot, which was staged.
Letter to Jane
