Gonzalo Suárez
1934 (91 год)Writing Heads: Hablan los guionistas
Alfonso S. Suárez
José Luis Acosta, Ángela Armero
They are the first and the last, those who imagine stories and give voice to the characters who live them. However, they never speak. But now, they emerge from the shadows of a poorly lit room and tell their secrets, their tricks, their influences; they tell their own story, that of those who face the blank page, the absolute nothingness; that of those who are the true authors, those who create and destroy entire universes. They are the screenwriters.
Writing Heads
What Have I Done to Deserve This?
Pedro Almodóvar
Carmen Maura, Luis Hostalot
A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.
What Have I Done to Deserve This?
El sueño de Malinche
Gonzalo Suárez
Carmelo Gómez, Marian Álvarez
The tragic story of the encounter between the Spanish conquistador Hernán Cortés and the emperor Moctezuma, lord of the Mexica Empire, through the words and mediation of a woman called Malinche.
Malinche's Dream
Ditirambo
Gonzalo Suárez
Gonzalo Suárez, Yelena Samarina
Ditirambo never smiles, always tells the truth and ruthlessly carries out all the missions entrusted to him. The widow of a writer orders him to locate the former lover of her husband with the purpose of getting revenge on her.
Ditirambo
El extraño caso del doctor Fausto
Gonzalo Suárez
Gonzalo Suárez, Alberto Puig
Doctor Fausto is observed by unknown creatures in outer space. All of a sudden, a strange woman appears in his life. Her strange behavior leads his life down the path to insanity.
The Strange Case of Doctor Faust
Ditirambo vela por nosotros
Gonzalo Suárez
Gonzalo Suárez, Marianne Bennett
In a desolate world, in a city of madness, José Ditirambo is a wolf among wolves, a fury among furies, an intrepid journalist whose favorite weapons are humor and logic, until he embarks on a mission to find a woman he has heard asking for help through the pipes in his bathroom.
Ditirambo vela por nosotros
Don Juan en los infiernos
Gonzalo Suárez
Fernando Guillén, Mario Pardo
While the last remnants of the Empire are extinguishing and King Philip II (1559-1598) is dying in the shadow of lost splendor, a man, defying the divine and human justice, turns his passions into fate and his will into law. His fame is as great as his pride. His conviction, eternal. His name, a legend: Don Juan. Free adaptation of "Don Juan" by Moliere.
Don Juan in Hell
Mi nombre es sombra
Gonzalo Suárez
François-Eric Gendron, Amparo Larrañaga
Doctor Beiral, torn apart by the internal struggle between his social persona and the dark instincts that torment him, manages to use his investigations to give life to the monster that he has long held within him.
My Name Is Shadow
5.5.5
Gustavo Giannini, Leandro Visconti
Antonio Birabent, Gonzalo Suárez
Gabriel, a professor of philosophy and logic of night school, which runs through marital problems, and that when he meet a new young student who suddenly disappear after she closer to the prophetic drawings of Benjamin Solari Parravicini, will be immersed in trying to understand the meaning of these drawings, embarking with his cousin Tony, a story of suspense, intrigue and drama.
5.5.5
Epílogo
Gonzalo Suárez
Francisco Rabal, José Sacristán
The film tells the story of two writers in love with the same woman. For years, they have worked together. One day they separate. Ten years later and Ditirambo meets up with Rocabruno, at the very least to tell him his latest story. An epilogue that closes what they together have opened.
Epilogue
Querido Fotogramas
Sergio Oksman
Aitana Sánchez-Gijón, Ana Belén
The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.
Querido Fotogramas
El elefante del rey
Víctor García León
Juan Echanove, Leonor Watling
North Sudan, summer 1923. King Alfonso XIII of Spain captures an enormous African elephant, an apparently irrelevant act that, however, will be paramount to understand the Spain of 20th century; an animal from far lands that will become a symbol of the Second Spanish Republic, the communist movement and many other things; a royal hunting that marks the beginning of a bizarre story of jealousy, passion, political intrigues and taxidermy.
El elefante del rey
Remando al viento
Gonzalo Suárez
Hugh Grant, Lizzy McInnerny
In the summer of 1816, Percy Shelley, his mistress Mary, and her stepsister Claire visit Lord Byron at Lake Geneva. Byron challenges each to write a horror story, and Mary begins her novel, Frankenstein. She imagines the monster becoming real, and for the next six years, as tragedy befalls those around her, she believes the personification of her imagination is the cause. Against this backdrop, Claire has Byron's baby then is estranged from him and barred from her daughter. Byron and Percy continue their friendship, the one self-centered and decadent, the other wildly idealistic. The Shelleys take up residence near Pisa.
Rowing with the Wind
